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1.
CDDVD
2013
Music (Circulation Desk)
2.

L'Œuvre Pour Piano [sound recording]

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DVD inclus = included. Schoenberg, le malentendu, un film écrit par Florent Boffard.
CDDVD
2013; 2012
Music (Circulation Desk)
3.
CDDVD
2005; 2001
Music (Circulation Desk)
4.

They Came to Play

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Focuses on the Fifth International Piano Competition for Outstanding Amateurs, 2007, hosted by the Van Cliburn Foundation, which gathered together 75 of the world's best amateur pianists for one week of intense competition and camaraderie. Interviews offer a glimpse into the lives of the competitors, who come from a wide variety of backgrounds and professions.
DVD
2010; 2009
Clemons (Stacks)
5.

She Herself Alone: The Art of the Toy Piano 2

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"Margaret Leng Tan recorded an earlier disc of toy piano for the Philips label which is long out-of-print. This [is] her second disc of toy piano."--Publisher's site.
DVD
2010; 2007
Clemons (Stacks)
6.
CDDVD
2010
Music (Circulation Desk)
7.

Martha Argerich: Evening Talks

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"Martha Argerich shares with us her memories, confides in her doubts and transmits to us her incredible appetite for music making. Images of Argentina, rehearsals in the concert hall or at home, excerpts of recent concerts and archival clips complete this unique film."--Container.
DVD
2008; 2002
Clemons (Stacks)
8.

Tokyo Solo

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DVD
2006; 2002
Clemons (Stacks)
9.

Mitsuko Uchida Plays 12 Etudes by Claude Debussy

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VHS
1991; 1989
Ivy (By Request)
10.

Piano Grand!: A Smithsonian Celebration

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The Smithsonian Institution and Maryland Public Televsion celebrate the piano's 300th anniversary.
DVD
2000
Clemons (Stacks)
11.

Mazeppa: An Inspirational Living Legend

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Louise Billaud presents a lecture on Ivan Stepanovych Mazeppa, followed by her performance of Franz Liszt's Transcendental Etude No. 4.
DVD
2002
Clemons (Stacks)
12.

Joanna MacGregor at the Royal Academy of Music [electronic resource]: Olivier Messiaen, Vingt Regards Sur l'Enfant-Jésus : Piano Masterclass

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In this masterclass she works with students on movements from Messiaen's Vingt Regards sur L'Enfant-Jésus.
Online
2009
13.

Stephen Hough at the Royal Academy of Music, London [electronic resource]: Piano Masterclass

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In this masterclass Stephen Hough works with students on two of Liszt's virtuoso pieces for solo piano.
Online
2008
14.

Stephen Kovacevich at the Verbier Festival Academy [electronic resource]: Chopin, Fantasy in F Minor Op 49

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In this masterclass Kovacevich works with a student on Chopin's F minor Fantasy.
Online
2010
15.

Boris Berezovsky [electronic resource]: Change of Plans

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The film by Jan Schmidt-Garre includes an interview and performance by the pianist. Included are works by Beethoven, Nicolas Medtner, Dafydd Llywelyn, Lepold Godowsky, and Anatoly Lladov.
Online
2006
16.

The Art of Chopin [electronic resource]

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As a meditation on the life and influence of Frédéric Chopin (1810-49) that was produced to commemorate the great Polish composer's 200th birthday, this unique program falls into two distinct halves. It begins with a traditional hour-long documentary by Gérald Caillat that studies the musical scribe's life and work; then it segues into the second half - a series of contemporary and vintage performances by world-renowned artists, who interpret excerpts from some of Chopin's most beloved compositions. These luminaries include Krystian Zimerman, Artur Rubinstein, Evgeny Kissin and Martha Argerich. Classical historian Garrick Ohlsson also turns up to reflect and pontificate on Chopin's genius. As an added bonus, this release features an August 2009 concert film where Ohlsson performs Cho [...]
Online
2009
17.

András Schiff Plays Bach [electronic resource]

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"The French Suites, BWV 812--817, are six suites which Johann Sebastian Bach wrote for the clavier (harpsichord or clavichord) between the years of 1722 and 1725. The suites were later given the name 'French' (first recorded usage by Friedrich Wilhelm Marpurg in 1762) as a means of contrast with the English Suites (whose title is likewise a later appellation). The name was popularised by Bach's biographer Johann Nikolaus Forkel, who wrote in his 1802 biography of Bach, "One usually calls them French Suites because they are written in the French manner." This claim, however, is inaccurate: like Bach's other suites, they follow a largely Italian convention. There is no surviving definitive manuscript of these suites, and ornamentation varies both in type and in degree across manuscrip [...]
Online
2011
18.

Homage to Robert Schumann [electronic resource]: Live From the Frauenkirche Dresden

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Between 1844 and 1859 Robert Schumann lived in Dresden where he composed a third of his complete works. This concert marks the 200th anniversary of Robert Schumann's birth and offers a welcome opportunity for Daniel Harding and the Staatskapelle Dresden to introduce three of the most impressive but now too rarely performed works from his Dresden period (Overture to Genoveva, Requiem für Mignon and Nachtlied). Particular highlights - which will come as a surprise even to connoisseurs of his works - are a first performance and a world premiere of rediscovered and reconstructed symphonic movements dating from the composer's legendary "symphony year" of 1841. Moreover, Rhenish Symphony, composed by Schumann after leaving Dresden and widely influenced by his impressions of the Cologne Cat [...]
Online
2010
19.

Marilyn Nonken on Triadic Memories [electronic resource]

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Triadic Memories is perhaps more famous for its extraordinary length than for its fascinating content or its sublime psychological impact. An intimate study of pitch and sonority that unfolds gradually and kaleidoscopically over a long duration, the piece is continually regenerative, and its spare material yields an astonishing variety of gestures and combinations. But a subtler aspect of this work is the underlying tension between what happens in the moment and what takes shape on a larger time scale. One is constantly pulled back and forth, from an acute awareness of small, localized changes, to the perception of vast, static cycles; through this shifting of attention, the listener may feel that time is elastic and surprisingly subjective. Without a specified tempo, Triadic Memorie [...]
Online
2004
20.

Barenboim [electronic resource]: Jubilee Concert in Buenos Aires

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[Multiple identities, a documentary film] tracks the pianist-conductor from summer 1999 through Berlin, Chicago, Tel Aviv and Weimer up to his stage anniversary in Buenos Aires, in summer 2000, and ends up with his controversial performance of "Prelude and Liebestod" from Wagner's Tristan und Isolde in Jerusalem in summer 2001.
Online
2000