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A Peng helps a girl named Golden Flower fix her cart on their way to a festival in Dali, Yunnan. He wins both the first place of the local horse racing contest and the heart of Golden Flower. A year later A Peng looks for Golden Flower and comes across 5 girls with the same name. After much misunderstanding and many setbacks, A Peng finally finds the girl he loves.

"It's a story about the tunnel warfare conducted by the people in the Jizhang Enemy's Rear Area during the War of resistance against Japan." --container label.

A young man learns martial arts and how to use his body as well as other weapons to seek revenge on the group that killed his masters.

The legendary Iron Monkey teams up with a young girl to battle corrupt and greedy government officials in ancient China.

Two childhood friends are expelled from a Shaolin Temple and have to make it on their own. One becomes the top killer for the ruling eunuch; the other joins the anti-government rebels.

A retired master chef and widower is worried about the future of his three unmarried daughters who are skeptical about marriage. Yet he himself surprises them with his secret love affair with a young woman many years his junior.

Love story set in the 1920s in China's remote northwestern desert, this is the story of a young man who falls in love with the bride he has been hired to transport to her arranged marriage. She is kidnapped on the way to the wedding. Her intended husband dies while preparing to rescue her. The young man she loves does rescue the bride, but her mother-in-law says she must honor her agreement by "marrying" a wooden replica of the dead man, and remaining chaste.

It is a night of torrential rain, and the roof of the Fun-Ho Grand Theater in Taipei is leaking. The movie showing--King Hu's lush 1966 swordplay classic "Dragon Inn"--Is the theaters last-ever screening. Once a beacon for a city of moviegoers, the theater has become a haven for hustlers, tired old men, lonely employees, and possibly even ghosts. A gloomy-looking young Japanese man wanders in and finds his concentration disrupted by various annoyances: a boy munching popcorn, a woman in heavy makeup cracking sunflower seeds, a pair of bare feet sticking over the seat next to him. The ticket taker, the washroom attendant, and the projectionist silently perform their tasks, in this poetic and elegiac exposition on longing, synchronicity, nostalgia, and the death of cinema.