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1.

TV Rerun [electronic resource]

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Features Cunningham and his Company. A marriage of choreography and video techniques occurs in this program on Merce Cunningham and his dance company. Cunningham makes use of multiple screen images. The program is comprised of excerpts from "TV Rerun" as well as rehearsal and class footage.
Online
1974
2.

Winterbranch [electronic resource]

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Features Cunningham and his Company. A marriage of choreography and video techniques occurs in this program on Merce Cunningham and his dance company. Cunningham makes use of multiple screen images. The program is comprised of excerpts from "Winterbranch" as well as rehearsal and class footage
Online
1974
3.

Dance on: Eve Gentry [electronic resource]

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Eve Gentry looks back over her multifaceted career, which she began under her real name, Henrietta Greenhood. She first studied modern dance with a Laban-trained teacher in California, then moved to New York where she joined Hanya Holm's company, creating roles in works such as Trend and Tragic Exodus. She studied dance notation with Irma Otte-Betz, and established the Dance Notation Bureau in New York with Helen Priest Rogers and Ann Hutchinson Guest. Her study of the Pilates method with Joseph Hubertus Pilates eventually led her to evolve her own concept of teaching his corrective and rehabilitative exercises, which she now teaches in her studio in Santa Fe, New Mexico.
Online
1990
4.

Maria Tallchief Coaching 'Sugar Plum Fairy' Excerpts [electronic resource]

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Maria Tallchief, who created the role of the Sugar Plum Fairy in George Balanchine's version of The Nutcracker for the New York City Ballet in 1954, coaches young dancers in excerpts from the ballet. In the interview sections, she analyzes details of the choreography and describes the way in which Balanchine taught specific steps and movements. She also reminisces about the first performance, and compares the choreography to the Petipa-Ivanov version then being presented by the Ballet Russe de Monte Carlo.
Online
1996
5.

Cape Cod Dance Center Dance Classes [electronic resource]

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In this film, Donna Silva of the Boston Conservatory works with a teenage ballet student. The film features footage from ballet classes at Walnut Hill School of Performing Arts and the Cape Cod Dance Center.
Online
1995
6.

Flamenco Dance Excerpts [electronic resource]

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Discussion of Omayra Amaya's dance company Amaya, Flamenco Sin Limites, which seeks to blend flamenco dancing with elements of modern dance, jazz dancing, and ballet. Kavoos Deilamian, a company administrator, describes the historical background of flamenco; he and dancer Sabrina Aviles discuss the non-traditional nature of Amaya's work. In a pre-recorded interview Amaya talks about her family heritage as Gypsy flamenco dancers, her studies of other dance forms at Boston Conservatory, the formation of her own company in 1993, and its goals. She also discusses the different rhythms used in flamenco, the contrasts between classical and regional Spanish dancing and flamenco, the improvisational element in flamenco dance and music, her artistic goals, which include attracting a wider aud [...]
Online
1996
7.

Impromptus and Intrigues [electronic resource]

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Discussion of Prometheus Dance Company, a modern dance theater company founded in 1986 and based at the Dance Complex in Cambridge, Mass. Artistic directors Diane Arvanites-Noya and Tommy Neblett discuss the company's aims, which include addressing social issues, and define dance theater as practiced by their company. Much of the discussion centers on Impromptus and intrigues, choreographed in collaboration by Arvanites-Noya and Neblett to the music of Franz Schubert, and seen in several video excerpts. The guests also discuss the company's past and future projects.
Online
1998
8.

The Spirit of Dance, Ethnic Dance Arts: Performance Excerpts [electronic resource]

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This program presents Polynesian dances performed in Tahiti, Hawaii, and India by Martha Carr Moussa and Malena del Mar, who are the cofounders of the Ethnic Dance Arts Company. The film includes interviews with Moussa and Del Mar in which they discuss their desire to preserve the authentic choreography of La Meri's dance company.
Online
1990; 2010
9.

Video Footage [electronic resource]: The Dance Complex Facility & Various Performances

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This program profiles the Boston Dance Alliance and the Dance Complex, two organizations that offer resources for the dance community in Boston. It looks at classes and includes performances of Nicola Hawkins' Jane's Dream and Richelle Dupont's In Monet's Garden.
Online
1994
10.

Walnut Hill School Dance Classes [electronic resource]

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In this film, Donna Silva of the Boston Conservatory works with a teenage ballet student. The film features footage from ballet classes at Walnut Hill School of Performing Arts and the Cape Cod Dance Center.
Online
1995
11.

The Ostrich [electronic resource]

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Filmed for PBS' Great Performances at a three-day festival at the Brooklyn Academy of Music (BAM) celebrating black dance. Narrated by Geoffrey Holder, Dance Black America brings to the screen the best of black dance through the years, both concert dance by leading black choreographers, and the street and social dance that trace their roots to Africa.
Online
1984
12.

Sadler's Wells Royal Ballet 'The Sleeping Beauty' [electronic resource]

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Tchaikovsky's ballet, with Margot Fonteyn in the title role, presented on TV in color. Only a black-and-white kinescope of this production survives.
Online
1955
13.

The Marriage of Dance & Video: 'Two' [electronic resource]

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This program demonstrates the interaction of video projection and modern dance.
Online
2003
14.

Dance on: Liljan Espenak [electronic resource]

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Norwegian-born Liljan Espenak, a pioneer in dance therapy, recalls her dance training with Mary Wigman in Germany, where she observed the therapeutic effects of Rudolf von Laban's movement choirs. Her work as a dance teacher in the U.S. formed the basis of her research in dance therapy, which she supplemented with studies in psychotherapy under Alfred Adler.
DVDOnline
2000; 1983
15.

Dance on: Lois Silk [electronic resource]

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Lois Silk, movement/exercise teacher of Alexander technique, discusses body tension in dancers; the center as the source of the body's energy; the importance of stretch; the quality of life; and the interaction between student and teacher.
Online
2000; 1983
16.

Dance on: Louise Roberts [electronic resource]

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Online
1989
17.

The Spirit of Dance: Scottish Highland Music and Dance [electronic resource]

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Laura Scott, a dancer specializing in Scottish Highland dances, discusses the different types of Scottish dancing, of which Highland dancing is one ; Highland dancing competitions ; Scottish dance technique ; costumes ; her blend of traditional and original choreography ; her dance school, Highland Soles, in Portland, Me. In video clips, she performs several Scottish dances, including a traditional sword dance and sailor's hornpipe ; a Scottish version of an Irish jig ; a Cape Breton step dancing solo ; as well as examples of her own choreography. Her husband, fiddler Ed Pearlman, appears in some of the clips.
Online
1998
18.

A Study in Choreography for Camera [electronic resource]

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A dance choreographed for and performed by the camera and the dancer together, in which the camera transports dancer Talley Beatty from point to point, supports him in an extended and accelerated pirouette, and sustains him in an attenuated leap.
Online
1945
19.

Anna Sokolow [electronic resource]: Speaking of Dance

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Charles Reinhart interviews choreographer Anna Sokolow. With excerpts from a performance of Lyric Suite, performed by Jim May and Lorry May, and teaching footage.
Online
1992; 1991
20.

Betty Jones [electronic resource]: Speaking of Dance

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Interview with modern dance artist, Betty Jones, including her performances and scenes from dancing classes which she teaches.
Online
1993