Item Details

Rembrandt van Rijn [electronic resource]

ARTE France
Format
Video; Computer Resource; Online Video; Online
Summary
Even in his first paintings, Rembrandt positioned himself in the scene. In the following years, at least 100 times he used his face as the only subject in engravings, drawings, and paintings. Such single-mindedness, unique in the history of art, was very widely interpreted. This program explores his self-portraits and attempts to determine the secret meanings hidden in the various versions of Rembrandt's face.
Release Date
1991
Run Time
30 min.
Language
English
Rating
7 & up
Notes
  • Encoded with permission for digital streaming by Films Media Group on October 18, 2013.
  • Films on Demand is distributed by Films Media Group for Films for the Humanities & Sciences, Cambridge Educational, Meridian Education, and Shopware.
Series
Palettes: Great Artists and Their Paintings
Palettes (Film for the Humanities (Firm))
Contents
  • Self-Portraits (2:29)
  • Rembrandt's Early Works (2:19)
  • Canvas Becomes the Mirror (2:04)
  • Right-Handed Painter (2:51)
  • Chiaroscuro (3:26)
  • Painting in the Act of Self-Creation (0:39)
  • Rembrandt's Colorful Personality (4:11)
  • Self-Awareness (3:33)
  • Touched by Melancholy (2:25)
  • Creating a Narrative (1:16)
  • Credits: Rembrandt van Rijn (1:19)
Published
New York, N.Y. : Films Media Group, [2013], c1991.
Publisher no.
  • 7793 Films Media Group
  • 7783s Films Media Group
Access Restriction
Access requires authentication through Films on Demand.
Description
1 streaming video file (30 min.) : sd., col.
Mode of access: Internet.
System requirements: FOD playback platform.
Technical Details
  • Access in Virgo Classic

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    a| Self-Portraits (2:29) -- Rembrandt's Early Works (2:19) -- Canvas Becomes the Mirror (2:04) -- Right-Handed Painter (2:51) -- Chiaroscuro (3:26) -- Painting in the Act of Self-Creation (0:39) -- Rembrandt's Colorful Personality (4:11) -- Self-Awareness (3:33) -- Touched by Melancholy (2:25) -- Creating a Narrative (1:16) -- Credits: Rembrandt van Rijn (1:19)
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    a| Access requires authentication through Films on Demand.
    520
      
      
    a| Even in his first paintings, Rembrandt positioned himself in the scene. In the following years, at least 100 times he used his face as the only subject in engravings, drawings, and paintings. Such single-mindedness, unique in the history of art, was very widely interpreted. This program explores his self-portraits and attempts to determine the secret meanings hidden in the various versions of Rembrandt's face.
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    a| Mode of access: Internet.
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    a| System requirements: FOD playback platform.
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    a| Rembrandt Harmenszoon van Rijn, d| 1606-1669
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    i| Originally produced: d| ARTE France, 1991.
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