Item Details

Beethoven

edited by Michael Spitzer, University of Liverpool, UK
Format
EBook; Book; Online
Published
London : Routledge, 2016.
Language
English
ISBN
9781315096506, 9781351574280, 9781472440303
Summary
"Our image of Beethoven has been transformed by the research generated by a succession of scholars and theorists who blazed new trails from the 1960s onwards. This collection of articles written by leading Beethoven scholars brings together strands of this mainly Anglo-American research over the last fifty years and addresses a range of key issues. The volume places Beethoven scholarship within a historical and contemporary context and considers the future of Beethoven studies."--Provided by publisher.
Contents
  • part PART I HISTORY AND HISTORIOGRAPHY
  • chapter 1 Carl Dahlhaus (1991), 'The Biographical Method', in Ludwig van Beethoven: Approaches to his Music, trans. Mary Whittall, Oxford: Clarendon Press, pp. 1-10.
  • chapter 2 Scott Burnham (1995), 'Beethoven's Hero', in Beethoven Hero, Princeton: Princeton University Press, pp. 3-28.
  • chapter 3K.M. Knittel (2006), '
  • chapter 4 Lewis Lockwood (1994), 'Beethoven before 1800: The Mozart Legacy', Beethoven Forum, 3, pp. 39-52.
  • chapter 5 Alexander L. Ringer (1970), 'Beethoven and the London Pianoforte School', Musical Quarterly, 56, pp. 742-58.
  • chapter 6 Warren Kirkendale (1971), 'New Roads to Old Ideas in Beethoven's Missa Solemnis', in Paul Henry Lang (edition), The Creative World of Beethoven, New York: Norton, pp. 163-99.
  • part PART II DOCUMENTS AND SKETCHES
  • chapter 7 Maynard Solomon (1998), 'Beethoven's Birth Year', in Beethoven Essays, Cambridge, MA: Harvard University Press, pp. 35-42.
  • chapter 8 Hans-Werner Kuthen (2001), 'Das
  • chapter 9 Maynard Solomon (1972), 'New Light on Beethoven's Letter to an Unknown Woman', Musical Quarterly, 58, pp. 572-87.
  • chapter 10 Alan Tyson (1970), 'Conversations with Beethoven', Musical Times, 111, pp. 25-28.
  • chapter 11 William Drabkin (1991), 'Beethoven's Understanding of
  • chapter 12 Philip Gossett (1974), 'Beethoven's Sixth Symphony: Sketches for the First Movement', Journal of the American Musicological Society, 27, pp. 248-84.
  • chapter 13 Robert Winter (1977), 'Plans for the Structure of the String Quartet in C Sharp Minor Op. 131', in Alan Tyson (edition), Beethoven Studies 2, Oxford: Oxford University Press, pp. 106-37.
  • part PART III ANALYSIS
  • chapter 14 Joseph Kerman (1994), 'Tovey's Beethoven', in Write all these Down: Essays on Music, Berkeley: University of California Press, pp. 155-72.
  • chapter 15 Robert S. Hatten (1994), 'A Case Study for Interpretation: The Third Movement of Op. 106 (Hammerklavier)', in Musical Meaning in Beethoven: Markedness, Correlation, and Interpretation, Bloomington: Indiana University Press, pp. 9-28.
  • chapter 16 Janet Schmalfeldt (1995), 'Form as the Process of Becoming: The Beethoven-Hegelian Tradition and the
  • chapter 17 Michael Spitzer (1996), 'The Significance of Recapitulation in Beethoven's
  • chapter 18 Edward T. Cone (1989), 'Beethoven's Experiments in Composition: The Late Bagatelles', in Robert Morgan (edition), Music: A View from Delft. Selected Essays, Chicago: University of Chicago Press, pp. 179-200.
  • part PART IV AESTHETICS AND HERMENEUTICS
  • chapter 19 Rose Rosengard Subotnik (1976), 'Adorno's Diagnosis of Beethoven's Late Style: Early Symptom of a Fatal Condition', Journal of the American Musicological Society, 29, pp. 242-75.
  • chapter 20 Rey M. Longyear (1970), 'Beethoven and Romantic Irony', Musical Quarterly, 56, pp. 647-64.
  • chapter 21 Owen Jander (1985), 'Beethoven's
  • chapter 22 Sanna Pederson (2000), 'Beethoven and Masculinity', in Scott Burnham and Michael P. Steinberg (eds), Beethoven and his World, Princeton: Princeton University Press, pp. 313-31.
  • chapter 23 Richard Taruskin (1989), 'Resisting the Ninth', 19th-century Music, 12, pp. 241-56.
  • chapter 24 Holly Rogers (2006), 'Beethoven's Myth Sympathy: Hollywood's Re-Construction', British Postgraduate Musicology, 8, at http://britishpost-graduatemusicology.org/bpm8/Rogers.html.
Description
1 online resource
Notes
First published 2015 by Ashgate Publishing.
Logo for Copyright Not EvaluatedCopyright Not Evaluated
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    a| part PART I HISTORY AND HISTORIOGRAPHY -- chapter 1 Carl Dahlhaus (1991), 'The Biographical Method', in Ludwig van Beethoven: Approaches to his Music, trans. Mary Whittall, Oxford: Clarendon Press, pp. 1-10. -- chapter 2 Scott Burnham (1995), 'Beethoven's Hero', in Beethoven Hero, Princeton: Princeton University Press, pp. 3-28. -- chapter 3K.M. Knittel (2006), ' -- chapter 4 Lewis Lockwood (1994), 'Beethoven before 1800: The Mozart Legacy', Beethoven Forum, 3, pp. 39-52. -- chapter 5 Alexander L. Ringer (1970), 'Beethoven and the London Pianoforte School', Musical Quarterly, 56, pp. 742-58. -- chapter 6 Warren Kirkendale (1971), 'New Roads to Old Ideas in Beethoven's Missa Solemnis', in Paul Henry Lang (edition), The Creative World of Beethoven, New York: Norton, pp. 163-99. -- part PART II DOCUMENTS AND SKETCHES -- chapter 7 Maynard Solomon (1998), 'Beethoven's Birth Year', in Beethoven Essays, Cambridge, MA: Harvard University Press, pp. 35-42. -- chapter 8 Hans-Werner Kuthen (2001), 'Das -- chapter 9 Maynard Solomon (1972), 'New Light on Beethoven's Letter to an Unknown Woman', Musical Quarterly, 58, pp. 572-87. -- chapter 10 Alan Tyson (1970), 'Conversations with Beethoven', Musical Times, 111, pp. 25-28. -- chapter 11 William Drabkin (1991), 'Beethoven's Understanding of -- chapter 12 Philip Gossett (1974), 'Beethoven's Sixth Symphony: Sketches for the First Movement', Journal of the American Musicological Society, 27, pp. 248-84. -- chapter 13 Robert Winter (1977), 'Plans for the Structure of the String Quartet in C Sharp Minor Op. 131', in Alan Tyson (edition), Beethoven Studies 2, Oxford: Oxford University Press, pp. 106-37. -- part PART III ANALYSIS -- chapter 14 Joseph Kerman (1994), 'Tovey's Beethoven', in Write all these Down: Essays on Music, Berkeley: University of California Press, pp. 155-72. -- chapter 15 Robert S. Hatten (1994), 'A Case Study for Interpretation: The Third Movement of Op. 106 (Hammerklavier)', in Musical Meaning in Beethoven: Markedness, Correlation, and Interpretation, Bloomington: Indiana University Press, pp. 9-28. -- chapter 16 Janet Schmalfeldt (1995), 'Form as the Process of Becoming: The Beethoven-Hegelian Tradition and the -- chapter 17 Michael Spitzer (1996), 'The Significance of Recapitulation in Beethoven's -- chapter 18 Edward T. Cone (1989), 'Beethoven's Experiments in Composition: The Late Bagatelles', in Robert Morgan (edition), Music: A View from Delft. Selected Essays, Chicago: University of Chicago Press, pp. 179-200. -- part PART IV AESTHETICS AND HERMENEUTICS -- chapter 19 Rose Rosengard Subotnik (1976), 'Adorno's Diagnosis of Beethoven's Late Style: Early Symptom of a Fatal Condition', Journal of the American Musicological Society, 29, pp. 242-75. -- chapter 20 Rey M. Longyear (1970), 'Beethoven and Romantic Irony', Musical Quarterly, 56, pp. 647-64. -- chapter 21 Owen Jander (1985), 'Beethoven's -- chapter 22 Sanna Pederson (2000), 'Beethoven and Masculinity', in Scott Burnham and Michael P. Steinberg (eds), Beethoven and his World, Princeton: Princeton University Press, pp. 313-31. -- chapter 23 Richard Taruskin (1989), 'Resisting the Ninth', 19th-century Music, 12, pp. 241-56. -- chapter 24 Holly Rogers (2006), 'Beethoven's Myth Sympathy: Hollywood's Re-Construction', British Postgraduate Musicology, 8, at http://britishpost-graduatemusicology.org/bpm8/Rogers.html.
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