Item Details

Posthumous Images: Contemporary Art and Memory Politics in Post-Civil War Lebanon

Chad Elias
Format
Book
Published
Durham : Duke University Press, 2018.
Language
English
Series
Art History Publication Initiative
ISBN
9780822347101, 0822347105, 9780822347668, 0822347660, 9780822371557, 0822371553
Summary
For almost two decades of its history (1975-90), Lebanon was besieged by sectarian fighting, foreign invasions, and complicated proxy wars. In 'Posthumous Images', Chad Elias analyzes a generation of contemporary artists who have sought, in different ways, to interrogate the contested memory of those years of civil strife and political upheaval. In their films, photography, architectural projects, and multimedia performances, these artists appropriate existing images to challenge divisive and violent political discourses. They also create new images that make visible individuals and communities that have been effectively silenced, rendered invisible, or denied political representation. As Elias demonstrates, these practices serve to productively unsettle the distinctions between past and present, the dead and the living, official history and popular memory. In Lebanon, the field of contemporary art is shown to be critical to remembering the past and reimagining the future in a nation haunted by a violent and unresolved war.
Contents
  • Introduction
  • Captive subjects : on the geopolitics of sex and translation in Walid Raad's Hostage: the Bachar tapes
  • Resistance, video martyrdom, and the afterlife of the Lebanese left
  • Latent images, buried bodies : mourning Lebanon's disappeared
  • Suspended spaces : the void and the monument in post-civil war Beirut
  • Images of futures past : the Lebanese Rocket Society
  • Coda: time bomb.
Description
xvi, 243 pages : illustrations ; 24 cm.
Notes
Includes bibliographical references (pages 225-237) and index.
Technical Details
  • Access in Virgo Classic

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