Item Details

Connecting Art Markets: Guilliam Forchondt's Dealership in Antwerp (C. 1632-78) and the Overseas Paintings Trade

by Sandra van Ginhoven
Format
Book
Published
Leiden ; Boston : Brill, [2017]
Language
English
Series
Studies in the History of Collecting & Art Markets
ISBN
9789004319745, 9004319743, 9789004334830
Summary
Based on Guilliam Forchondt's surviving business documentation in Antwerp and applying an aggregate and data-driven approach, 'Connecting Art Markets' focuses on the role of art dealers in mediating the supply and demand for art, behaving in particular ways as to influence the markets for artworks in which they were strategically invested. Van Ginhoven presents her findings on Guilliam Forchondt's workshop production volumes and transatlantic art trade flows, and evaluates the relationship between the production paintings in the Southern Netherlands, their local, regional and overseas distribution channels, and the markets for these works in Europe and the Americas during the seventeenth century.
Description
viii, 288 pages : illustrations (some color), maps (some color) ; 25 cm.
Notes
  • Outgrowth of the author's thesis (doctoral--Duke University, 2015) under the title: Role of the Antwerp painter-dealer Guilliam Forchondt in the large-scale distribution of new imagery in Europe and the Americas during the seventeenth century.
  • Includes bibliographical references (pages 261-282) and index.
Series Statement
Studies in the history of collecting & art markets, 2352-0485 ; Volume 1
Technical Details
  • Access in Virgo Classic

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    a| Based on Guilliam Forchondt's surviving business documentation in Antwerp and applying an aggregate and data-driven approach, 'Connecting Art Markets' focuses on the role of art dealers in mediating the supply and demand for art, behaving in particular ways as to influence the markets for artworks in which they were strategically invested. Van Ginhoven presents her findings on Guilliam Forchondt's workshop production volumes and transatlantic art trade flows, and evaluates the relationship between the production paintings in the Southern Netherlands, their local, regional and overseas distribution channels, and the markets for these works in Europe and the Americas during the seventeenth century.
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