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The Poetic Eye [electronic resource]: Occasional Writings 1982-2012

Michael Sharkey ; edited by Gordon Collier
Format
EBook; Book; Online
Published
Leiden, The Netherlands : Brill, c2017.
Language
English
Series
Cross/Cultures
ISBN
9789004336438, 9004336435, 9789004336476 (online)
Access Restriction
Available to subscribing member institutions only.
Contents
  • Part 1 (1979-90): Romantic Hangover in Australian Poetry?; Out of Time ; New Zealand City Streets and Gipsies on the Road ; Interview with Alan Wearne ; Pulling in a Trojan Horse ; The Politics of Poetry ; Beyond the Jindyworobaks ; Storming the Teacups (Again) ; Fading Shadows ; Clear, Timeless Opus ; Minority Groups Like the Living ; Imperial Nigrescences ; The Persistence of Mallarmé ; Starting from Ulverstone ; The Myth of the New and Others ; Interview with Geoff Goodfellow ; Something to Contribute: A Conversation ; Cold Turkey in the Cantina ; Poetry: The Melbourne Alternative ; Old Tricks Transformed ; First Thoughts on Everyday Rhetoric ; An Interview with Eric Beach ; VIP and Business-Class Poetry ; The Great Singer, Icon, and Enigma ; A Caution to Reviewers ; The Australian Fascisti ; The Jokes Just Get Verse and Verse ; An Interview with Shelton Lea ; Poetical Atlas of Political Diversity ; Passionate Complexity Among the Loco-Poetic ; Diverse Flights, Ethereal and Grounded ; You're Imagining It
  • Part 2 (1990-2003): Stepping Back: A Word of (Auto)Biography ; Zora Cross's Entry into Australian Literature ; From Duty to Tribute ; The Poetry of Gwen Harwood ; David McKee Wright, Maorilander ; Mudrooroo Narogin and William Hart-Smith ; The Province of Every Person ; Cheer Up and Take It Lightly ; McCuaig Made Poetry Talk ; A Salom Course ; Ern Burial ; Black Stump or Burning Bush? ; This is Not a Review ; Celebrating the Poetry of the Ballad ; Voyaging Through Depths and Shallows ; In Celebration of Gwen Harwood ; Harris's Pavane ; Compassionate Intensity ; Goodfellow's Semaphore and Other Messages ; L'Chaim to Life ; Far Away From How it Looks at Home ; Dransfield Among the Biographers ; New Music ; Reviewing Now ; Parody and Co. ; Defending the Line of Wit ; More About Wit ; Poetic Voice ; The Ventriloquial Muse ; How Poetry Lines Up
  • Part 3 (2004-2012): The Question in Poetry ; Poetry and the Human Comedy ; The Poetry of Lauren Williams ; Byron's 'Deluge' ; John Tranter's "Australia Day" ; How Poets Work: A Personal Note (Because I Was Asked) ; How Do Poems Sound? ; "But Who Considers Woman Day by Day?" ; Starting from Melbourne ; A Touchstone in Auckland ; After Jerusalem ; Subtle Conversation ; Page's Primer ; Moving and Memorable ; Inhabiting a Poem ; Trans-Tasman Literary Relations ; The Rapture Endures
  • Part 4 (The photograph as poem): "Something of Value": An Introduction to John Fields' 'Signature' Photographs.
Description
1 online resource (xviii, 659 p.)
Notes
Includes bibliographical reference and index.
Series Statement
Cross/cultures, 0924-1426 ; v. 194
Cross/cultures ; 194
Copyright Not EvaluatedCopyright Not Evaluated
Technical Details
  • Access in Virgo Classic
  • Staff View

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    a| Part 1 (1979-90): Romantic Hangover in Australian Poetry?; Out of Time ; New Zealand City Streets and Gipsies on the Road ; Interview with Alan Wearne ; Pulling in a Trojan Horse ; The Politics of Poetry ; Beyond the Jindyworobaks ; Storming the Teacups (Again) ; Fading Shadows ; Clear, Timeless Opus ; Minority Groups Like the Living ; Imperial Nigrescences ; The Persistence of Mallarmé ; Starting from Ulverstone ; The Myth of the New and Others ; Interview with Geoff Goodfellow ; Something to Contribute: A Conversation ; Cold Turkey in the Cantina ; Poetry: The Melbourne Alternative ; Old Tricks Transformed ; First Thoughts on Everyday Rhetoric ; An Interview with Eric Beach ; VIP and Business-Class Poetry ; The Great Singer, Icon, and Enigma ; A Caution to Reviewers ; The Australian Fascisti ; The Jokes Just Get Verse and Verse ; An Interview with Shelton Lea ; Poetical Atlas of Political Diversity ; Passionate Complexity Among the Loco-Poetic ; Diverse Flights, Ethereal and Grounded ; You're Imagining It -- Part 2 (1990-2003): Stepping Back: A Word of (Auto)Biography ; Zora Cross's Entry into Australian Literature ; From Duty to Tribute ; The Poetry of Gwen Harwood ; David McKee Wright, Maorilander ; Mudrooroo Narogin and William Hart-Smith ; The Province of Every Person ; Cheer Up and Take It Lightly ; McCuaig Made Poetry Talk ; A Salom Course ; Ern Burial ; Black Stump or Burning Bush? ; This is Not a Review ; Celebrating the Poetry of the Ballad ; Voyaging Through Depths and Shallows ; In Celebration of Gwen Harwood ; Harris's Pavane ; Compassionate Intensity ; Goodfellow's Semaphore and Other Messages ; L'Chaim to Life ; Far Away From How it Looks at Home ; Dransfield Among the Biographers ; New Music ; Reviewing Now ; Parody and Co. ; Defending the Line of Wit ; More About Wit ; Poetic Voice ; The Ventriloquial Muse ; How Poetry Lines Up -- Part 3 (2004-2012): The Question in Poetry ; Poetry and the Human Comedy ; The Poetry of Lauren Williams ; Byron's 'Deluge' ; John Tranter's "Australia Day" ; How Poets Work: A Personal Note (Because I Was Asked) ; How Do Poems Sound? ; "But Who Considers Woman Day by Day?" ; Starting from Melbourne ; A Touchstone in Auckland ; After Jerusalem ; Subtle Conversation ; Page's Primer ; Moving and Memorable ; Inhabiting a Poem ; Trans-Tasman Literary Relations ; The Rapture Endures -- Part 4 (The photograph as poem): "Something of Value": An Introduction to John Fields' 'Signature' Photographs.
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