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The Ethnography of Rhythm: Orality and Its Technologies

Haun Saussy
Format
Book
Published
New York : Fordham University Press, 2016.
Edition
First edition
Language
English
Series
Verbal Arts: Studies in Poetics
Verbal Arts — Studies in Poetics
ISBN
9780823270460, 0823270467, 9780823270477, 0823270475
Summary
"Who speaks? The author as producer, the contingency of the text, intertextuality, the "device"--Core ideas of modern literary theory-were all pioneered in the shadow of oral literature. Authorless, loosely dated, and variable, oral texts have always posed a challenge to critical interpretation. When it began to be thought that culturally significant texts-starting with Homer and the Bible-had emerged from an oral tradition, assumptions on how to read these texts were greatly perturbed. Through readings that range from ancient Greece, Rome, and China to the Cold War imaginary, The Ethnography of Rhythm situates the study of oral traditions in the contentious space of nineteenth- and twentieth-century thinking about language, mind, and culture. It also demonstrates the role of technologies in framing this category of poetic creation. By making possible a new understanding of Maussian "techniques of the body" as belonging to the domain of Derridean "arche-writing, " Haun Saussy shows how oral tradition is a means of inscription in its own right, rather than an antecedent made obsolete by the written word or other media and data-storage devices"--
"A history of the concept of orality (that is, the creation and transmission of literary works without the use of writing), this book shows awareness of this medium emerging from the encounter of many literary and scientific developments (romanticism, post-symbolism, structuralism; physiology, psychology, the study of expression, anthropology; phonography, cinema)"--
Contents
  • Introduction: Weighing Hearsay
  • Poetry Without Poems or Poets
  • Writing as One Form of Notation
  • Autography
  • The Human Gramophone
  • Embodiment and Inscription.
Description
xv, 251 pages : illustrations ; 23 cm.
Notes
Includes bibliographical references (pages 211-245) and index.
Technical Details
  • Access in Virgo Classic
  • Staff View

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    a| The ethnography of rhythm : b| orality and its technologies / c| Haun Saussy.
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    a| First edition.
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    a| New York : b| Fordham University Press, c| 2016.
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    a| xv, 251 pages : b| illustrations ; c| 23 cm.
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    a| text b| txt 2| rdacontent
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    a| unmediated b| n 2| rdamedia
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    a| Verbal arts: studies in poetics
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    a| Includes bibliographical references (pages 211-245) and index.
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    a| Introduction: Weighing Hearsay -- Poetry Without Poems or Poets -- Writing as One Form of Notation -- Autography -- The Human Gramophone -- Embodiment and Inscription.
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    a| "Who speaks? The author as producer, the contingency of the text, intertextuality, the "device"--Core ideas of modern literary theory-were all pioneered in the shadow of oral literature. Authorless, loosely dated, and variable, oral texts have always posed a challenge to critical interpretation. When it began to be thought that culturally significant texts-starting with Homer and the Bible-had emerged from an oral tradition, assumptions on how to read these texts were greatly perturbed. Through readings that range from ancient Greece, Rome, and China to the Cold War imaginary, The Ethnography of Rhythm situates the study of oral traditions in the contentious space of nineteenth- and twentieth-century thinking about language, mind, and culture. It also demonstrates the role of technologies in framing this category of poetic creation. By making possible a new understanding of Maussian "techniques of the body" as belonging to the domain of Derridean "arche-writing, " Haun Saussy shows how oral tradition is a means of inscription in its own right, rather than an antecedent made obsolete by the written word or other media and data-storage devices"-- c| Provided by publisher.
    520
      
      
    a| "A history of the concept of orality (that is, the creation and transmission of literary works without the use of writing), this book shows awareness of this medium emerging from the encounter of many literary and scientific developments (romanticism, post-symbolism, structuralism; physiology, psychology, the study of expression, anthropology; phonography, cinema)"-- c| Provided by publisher.
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    0
    a| Oral tradition.
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    a| Poetics.
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    a| Orality in literature.
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    0
    a| Storytelling.
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    a| Verbal arts--studies in poetics.
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