Item Details

The Oxford Handbook of Music and Virtuality

edited by Sheila Whiteley and Shara Rambarran
Format
Book
Published
New York, NY : Oxford University Press, [2016]
Language
English
Variant Title
Handbook of music and virtuality
Music and virtuality
Series
Oxford Handbooks
ISBN
9780199321285, 0199321280
Contents
  • Part One. The Pre-Digital Virtual
  • "Seventeenth Heaven": Virtual Listening and its Discontents / Christian Lloyd
  • "Nothing is Real": The Beatles as Virtual Performers / Philip Auslander and Ian Inglis
  • Tom, Jerry, and the Virtual Virtuoso / Sheila Whiteley
  • Bring that Beat Back: Sampling as Virtual Collaboration / Rowan Oliver
  • An Analysis of Virtuality in the Creation and Reception of the Music of Frank Zappa / Paul Carr
  • Part Two. Vocaloids, Holograms, and Virtual Pop Stars
  • Vocaloids and Japanese Virtual Vocal Performance: The Cultural Heritage and Technological Futures of Vocal Puppetry / Louise H. Jackson and Mike Dines
  • Hatsune Miku and Japanese Virtual Idols /Rafal Zaborowski
  • Hatsune Miku, 2.0Pac, and Beyond: Rewinding and Fast-Forwarding the Virtual Pop Star / Thomas Conner
  • "Feel Good" with Gorillaz and "Reject False Icons": The Fantasy Worlds of the Virtual Group and their Creators / Shara Rambarran
  • Part Three. Second Life
  • Avatar Rockstars: Constructing Musical Personae in Virtual Worlds / Trevor S. Harvey
  • Performing Live in Second Life / Justin Gagen and Nicholas Cook
  • Live Opera Performance in Second Life: Challenging Producers, Performers, and the Audience / Marco Antonio Chávez-Aguayo
  • Part Four. Authorship, Creativity and Musicianship
  • "We Are, The Colors": Collaborative Narration and the Experimental Construction of a Nonexistent Band / Alon Ilsar and Charles Fairchild
  • Music in Perpetual Beta: Composition, Remediation, and "Closure" / Paul Draper and Frank Millward
  • Justin Bieber Featuring Slipknot: Consumption as Mode of Production / Ragnhild Brøvig-Hanssen
  • Human After All: Understanding Negotiations of Artistic Identity through the Music of Daft Punk / Cora S. Palfy
  • Virtual Bands: Recording Music Under the Big Top / David Tough
  • Part Five. Communities and the World Wide Web
  • "Uploading" to Carnegie Hall: The First YouTube Symphony Orchestra / Shzr Ee Tan
  • The Listener as Remixer: Mix Stems in Online Fan Community and Competition Contexts / Samantha Bennett
  • Sample Sharing: Virtual Laptop Ensemble Communities / Benjamin O'Brien
  • Stone Tapes: Ghost Box, Nostalgia, and Postwar Britain / David Pattie
  • From Hypnagogia to Distroid: Postironic Musical Renderings of Personal Memory / Adam Trainer
  • Bands in Virtual Spaces, Social Networking, and Masculinity / Danijela Bogdanovic.
  • Part Six. Sonic Environments and Musical Experience
  • From Environmental Sound to Virtual Environment Enhancing: Consuming Ambiance as Listening Practice / Thomas Brett
  • App Music / Jeremy Wade Morris
  • Alternative Virtuality: Independent Micro Labels Facing the Ideological Challenge of Virtual Music Culture: The Case of Finnish Ektro Records / Juho Kaitajärvi-Tiekso
  • Everybody Knows There is Here: Surveying the Indexi-Local in CBC Radio 3 / Michael Audette-Longo
  • Mind Usurps Program: Virtuality and the "New Machine Aesthetic" of Electronic Dance Music / Benjamin Halligan
  • Part Seven. Participatory Culture and Fundraising
  • Virtual Music, Virtual Money: The Impact of Crowdfunding Models on Creativity, Authorship, and Identity / Mark Thorley
  • With a Little Help from My Friends, Family, and Fans: DIY, Participatory Culture and Social Capital in Music Crowdfunding / Francesco D'Amato
  • Music and Crowdfunded Websites: Digital Patronage and Artist-Fan Interactivity / Justin A. Williams and Ross Wilson
  • Authors' Blog: Final Thoughts on Music and Virtuality / Edited by Paul Carr.
Description
xxxii, 679 pages : illustrations, music ; 26 cm.
Notes
  • Series statement from dust jacket.
  • Includes bibliographical references and index.
Technical Details
  • Access in Virgo Classic

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    a| Part One. The Pre-Digital Virtual -- "Seventeenth Heaven": Virtual Listening and its Discontents / Christian Lloyd -- "Nothing is Real": The Beatles as Virtual Performers / Philip Auslander and Ian Inglis -- Tom, Jerry, and the Virtual Virtuoso / Sheila Whiteley -- Bring that Beat Back: Sampling as Virtual Collaboration / Rowan Oliver -- An Analysis of Virtuality in the Creation and Reception of the Music of Frank Zappa / Paul Carr -- Part Two. Vocaloids, Holograms, and Virtual Pop Stars -- Vocaloids and Japanese Virtual Vocal Performance: The Cultural Heritage and Technological Futures of Vocal Puppetry / Louise H. Jackson and Mike Dines -- Hatsune Miku and Japanese Virtual Idols /Rafal Zaborowski -- Hatsune Miku, 2.0Pac, and Beyond: Rewinding and Fast-Forwarding the Virtual Pop Star / Thomas Conner -- "Feel Good" with Gorillaz and "Reject False Icons": The Fantasy Worlds of the Virtual Group and their Creators / Shara Rambarran -- Part Three. Second Life -- Avatar Rockstars: Constructing Musical Personae in Virtual Worlds / Trevor S. Harvey -- Performing Live in Second Life / Justin Gagen and Nicholas Cook -- Live Opera Performance in Second Life: Challenging Producers, Performers, and the Audience / Marco Antonio Chávez-Aguayo -- Part Four. Authorship, Creativity and Musicianship -- "We Are, The Colors": Collaborative Narration and the Experimental Construction of a Nonexistent Band / Alon Ilsar and Charles Fairchild -- Music in Perpetual Beta: Composition, Remediation, and "Closure" / Paul Draper and Frank Millward -- Justin Bieber Featuring Slipknot: Consumption as Mode of Production / Ragnhild Brøvig-Hanssen -- Human After All: Understanding Negotiations of Artistic Identity through the Music of Daft Punk / Cora S. Palfy -- Virtual Bands: Recording Music Under the Big Top / David Tough -- Part Five. Communities and the World Wide Web -- "Uploading" to Carnegie Hall: The First YouTube Symphony Orchestra / Shzr Ee Tan -- The Listener as Remixer: Mix Stems in Online Fan Community and Competition Contexts / Samantha Bennett -- Sample Sharing: Virtual Laptop Ensemble Communities / Benjamin O'Brien -- Stone Tapes: Ghost Box, Nostalgia, and Postwar Britain / David Pattie -- From Hypnagogia to Distroid: Postironic Musical Renderings of Personal Memory / Adam Trainer -- Bands in Virtual Spaces, Social Networking, and Masculinity / Danijela Bogdanovic.
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    0
      
    a| Part Six. Sonic Environments and Musical Experience -- From Environmental Sound to Virtual Environment Enhancing: Consuming Ambiance as Listening Practice / Thomas Brett -- App Music / Jeremy Wade Morris -- Alternative Virtuality: Independent Micro Labels Facing the Ideological Challenge of Virtual Music Culture: The Case of Finnish Ektro Records / Juho Kaitajärvi-Tiekso -- Everybody Knows There is Here: Surveying the Indexi-Local in CBC Radio 3 / Michael Audette-Longo -- Mind Usurps Program: Virtuality and the "New Machine Aesthetic" of Electronic Dance Music / Benjamin Halligan -- Part Seven. Participatory Culture and Fundraising -- Virtual Music, Virtual Money: The Impact of Crowdfunding Models on Creativity, Authorship, and Identity / Mark Thorley -- With a Little Help from My Friends, Family, and Fans: DIY, Participatory Culture and Social Capital in Music Crowdfunding / Francesco D'Amato -- Music and Crowdfunded Websites: Digital Patronage and Artist-Fan Interactivity / Justin A. Williams and Ross Wilson -- Authors' Blog: Final Thoughts on Music and Virtuality / Edited by Paul Carr.
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