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Contemporary Sino-French Cinemas: Absent Fathers, Banned Books, and Red Balloons

Michelle E. Bloom
Format
Book
Published
Honolulu : University of Hawaiʻi Press, [2016]
Language
English
Series
Critical Interventions
Critical Interventions (Honolulu, Hawaii)
ISBN
9780824851583, 0824851587
Contents
  • The Sino-French as métissage : Cheng Yu-Chieh's Yang yang
  • Intertextuality as métissage in Tsai Ming-liang's Sino-French films : What time is it there? and Face
  • Hou Hsiao-hsien's Flight of the red balloon as a Sino-French makeover
  • Translations of Dai Sijie's Balzac and The little Chinese seamstress
  • Imitating Frenchness in Emily Tang Xiaobai's Conjugation and Jia Zhangke's The world
  • Conclusions mixing it up: the hybridity of the Sino-French.
Description
x, 271 pages : illustrations ; 24 cm.
Notes
Includes bibliographical references (pages 241-258), filmography (pages 237-239) and index.
Technical Details
  • Access in Virgo Classic
  • Staff View

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    a| Contemporary Sino-French cinemas : b| absent fathers, banned books, and red balloons / c| Michelle E. Bloom.
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    a| The Sino-French as métissage : Cheng Yu-Chieh's Yang yang -- Intertextuality as métissage in Tsai Ming-liang's Sino-French films : What time is it there? and Face -- Hou Hsiao-hsien's Flight of the red balloon as a Sino-French makeover -- Translations of Dai Sijie's Balzac and The little Chinese seamstress -- Imitating Frenchness in Emily Tang Xiaobai's Conjugation and Jia Zhangke's The world -- Conclusions mixing it up: the hybridity of the Sino-French.
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    a| Coproduction (Motion pictures, television, etc.) z| Taiwan.
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