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Ionisation [sound recording]: Interpolations

Varese ; spatialized recompositions and demonstrations by Paul Hembree and Jaime E. Oliver La Rosa
Format
Sound Recording; CD
Description
1 audio disc : digital, stereophonic ; 4 3/4 in.
Uniform Title
Ionisation
Publication
Seattle, WA : Perspectives of New Music ; [Red Hook, NY] : Produced by Open Space, [2013]
Publisher no.
PNM/OS CD 4 Perspectives of New Music
Tracks
  • Ionisation / stereo recomposition, Paul Hembree (5:49)
  • Interpolation #1 : (Déserts) / stereo recomposition, Jaime E. Oliver La Rosa (2:28)
  • Ionisation demonstrations / Hembree, Dustin Donahue ; Interpolation #1 (Déserts) demonstrations / Oliver (14:19).
Credits
Produced by Open Space, 2013.
Notes
  • Title from container.
  • When listening to the recomposition of Ionisation, "[t]he audio examples included are specially designed for listening with headphones only. It will not be possible to accurately hear the spatialization of the musical materials without listening via headphones"--Perspectives of new music, v. 51, no. 1, p. 258.
  • When listening to the reworking of Interpolations, the author recommends "downloading the eight channel version from [his] website and listening to it in an eight channel system, or, ideally making [his or her] own multichannel version"--Perspectives of new music, v. 51, no. 1, p. 266.
  • Issued with Perspectives of new music, v. 51, no. 1 (Winter 2013); "audio supplement for A spatial interpretation of Edgard Varèse's Ionisation / Paul Hembree; Extending space in Varèse's Interpolations / Jamie E. Oliver La Rosa; The last word is: imagination : a study of the spatial aspects of Edgard Varèse' [sic] work / Roger Reynolds"--Container.
  • "Full explanatory notes on the tracks and complete texts of the articles in Perspectives of new music vol. 51, no. 1"--Container.
  • Compact disc.
Technical Details
  • Access in Virgo Classic
  • Staff View

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    a| When listening to the recomposition of Ionisation, "[t]he audio examples included are specially designed for listening with headphones only. It will not be possible to accurately hear the spatialization of the musical materials without listening via headphones"--Perspectives of new music, v. 51, no. 1, p. 258.
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    a| When listening to the reworking of Interpolations, the author recommends "downloading the eight channel version from [his] website and listening to it in an eight channel system, or, ideally making [his or her] own multichannel version"--Perspectives of new music, v. 51, no. 1, p. 266.
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    a| Issued with Perspectives of new music, v. 51, no. 1 (Winter 2013); "audio supplement for A spatial interpretation of Edgard Varèse's Ionisation / Paul Hembree; Extending space in Varèse's Interpolations / Jamie E. Oliver La Rosa; The last word is: imagination : a study of the spatial aspects of Edgard Varèse' [sic] work / Roger Reynolds"--Container.
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    a| "Full explanatory notes on the tracks and complete texts of the articles in Perspectives of new music vol. 51, no. 1"--Container.
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    a| Compact disc.
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    a| Ionisation / stereo recomposition, Paul Hembree (5:49) -- Interpolation #1 : (Déserts) / stereo recomposition, Jaime E. Oliver La Rosa (2:28) -- Ionisation demonstrations / Hembree, Dustin Donahue ; Interpolation #1 (Déserts) demonstrations / Oliver (14:19).
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    a| Electronic music.
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    a| Donahue, Dustin, e| instrumentalist.
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    a| Oliver La Rosa, Jaime E., d| 1979-
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    a| Hembree, Paul, d| 1982- t| Spatial interpretation of Edgard Varèse's Ionisation using binaural audio.
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    a| Oliver La Rosa, Jaime E., d| 1979- t| Extending space in Varèse's Interpolations.
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    a| Reynolds, Roger, d| 1934- t| Last word is: imagination.
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    a| Varèse, Edgard, d| 1883-1965. t| Déserts. p| Interpolation, n| no 1; o| arranged.
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    a| Perspectives of new music. n| Vol. 51, no. 1 (Supplement)
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    a| Interpolations.
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    a| CD 27044 w| ALPHANUM i| X030876844 l| CIRCDESK m| MUSIC t| MUSIC-CD
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