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Disability, Public Space Performance and Spectatorship: Unconscious Performers

Bree Hadley
Format
Book
Published
Basingstoke, Hampshire ; New York, NY : Palgrave Macmillan, 2014.
Language
English
Variant Title
Disability, public space performance, spectatorship
ISBN
9781137396075, 1137396075, 9781137396082 (electronic bk.), 1137396083 (electronic bk.)
Contents
  • Seeing, imaging and imagining the other
  • Disability, performance and performative interventions in public space
  • Protesters, pranksters or pity seekers? : the motivations and conundrums of interventionalist performance
  • Studying the performativity of spectatorship
  • Book structure
  • 1. Weebles, Mirages and Living Mirrors: The Ethics of Embarrassed Laughter
  • Bodies in becoming : Igneous's Mirage
  • Bodies ambiguous : Noemi Lakmaier's Exercise in Losing Control
  • 'I can hear you looking at me' : Alison Jones's Portraits By Proxy
  • Stepping into someone Else's shoes?
  • Interpreting spectators' self-performances
  • 2. Drug Deals, Samaritans and Suicides: Bodies on the Brink of the Visible
  • 'I want to be a full human being' : Back to Back Theatre's Small Metal Objects
  • The weight of empathy : Bill Shannon's Regarding the Fall
  • -- Contents note continued: Guerrilla tactics : Aaron Williamson and Katherine Araniello in The Disabled Avant Garde's Assisted Passage
  • Uncertain uncertainties
  • 3. 'That you would post such a thing...': Staging Spectatorship Online
  • 'She should work on that' : Rita Marcalo's Involuntary Dances
  • 'Perhaps we should be looking to the future' : Liz Crow's Resistance on the Plinth
  • 'Look deeper' : Katherine Araniello's Suicide Messages
  • 'Before you come out with retarded comments...' : Channel 4's Cast Offs
  • Scripts of spectatorship?
  • 4. Same Difference?: Disability, Presence, Performance and Ethics
  • Guillermo Gomez Pena : The Museum of Fetishized Identities
  • Marie Chouinard - bODY rEMIX / gOLDBERG vARIATIONS
  • Glee : dance, cripdrag and the Artie Abrams character
  • Ethical encounters?.
Description
ix, 210 pages : illustrations ; 23 cm
Notes
Includes bibliographical references (pages 187-198) and index.
Technical Details
  • Access in Virgo Classic
  • Staff View

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    c| ©2014
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    a| ix, 210 pages : b| illustrations ; c| 23 cm
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    a| text b| txt 2| rdacontent
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    a| Includes bibliographical references (pages 187-198) and index.
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    a| Seeing, imaging and imagining the other -- Disability, performance and performative interventions in public space -- Protesters, pranksters or pity seekers? : the motivations and conundrums of interventionalist performance -- Studying the performativity of spectatorship -- Book structure -- 1. Weebles, Mirages and Living Mirrors: The Ethics of Embarrassed Laughter -- Bodies in becoming : Igneous's Mirage -- Bodies ambiguous : Noemi Lakmaier's Exercise in Losing Control -- 'I can hear you looking at me' : Alison Jones's Portraits By Proxy -- Stepping into someone Else's shoes? -- Interpreting spectators' self-performances -- 2. Drug Deals, Samaritans and Suicides: Bodies on the Brink of the Visible -- 'I want to be a full human being' : Back to Back Theatre's Small Metal Objects -- The weight of empathy : Bill Shannon's Regarding the Fall --
    505
    0
      
    a| Contents note continued: Guerrilla tactics : Aaron Williamson and Katherine Araniello in The Disabled Avant Garde's Assisted Passage -- Uncertain uncertainties -- 3. 'That you would post such a thing...': Staging Spectatorship Online -- 'She should work on that' : Rita Marcalo's Involuntary Dances -- 'Perhaps we should be looking to the future' : Liz Crow's Resistance on the Plinth -- 'Look deeper' : Katherine Araniello's Suicide Messages -- 'Before you come out with retarded comments...' : Channel 4's Cast Offs -- Scripts of spectatorship? -- 4. Same Difference?: Disability, Presence, Performance and Ethics -- Guillermo Gomez Pena : The Museum of Fetishized Identities -- Marie Chouinard - bODY rEMIX / gOLDBERG vARIATIONS -- Glee : dance, cripdrag and the Artie Abrams character -- Ethical encounters?.
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    a| People with disabilities and the performing arts.
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    a| Performance art x| History y| 21st century.
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    a| People with disabilities and the arts.
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    a| Artists with disabilities.
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    i| Also available online: a| Hadley, Bree. t| Disability, public space performance and spectatorship. d| [Basingstoke] : Palgrave Macmillan, 2014 z| 9781137396082 w| (OCoLC)873922211
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    a| PN1590 .H36 H34 2014 w| LC i| X031656129 k| CHECKEDOUT l| STACKS m| FINE-ARTS t| BOOK
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