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The Self in Black and White: Race and Subjectivity in Postwar American Photography

Erina Duganne
Format
Book
Published
Hanover, NH : Dartmouth College Press : University Press of New England, c2010.
Language
English
Variant Title
Race and subjectivity in postwar American photography
Series
Interfaces : Studies in Visual Culture
Interfaces, Studies in Visual Culture
ISBN
9781584658023 (pbk. : alk. paper), 1584658029 (pbk. : alk. paper)
Contents
  • Introduction: Self in black and white
  • Beyond the "Negro point of view": the Kamoinge Workshop's "Harlem" portfolio
  • Bruce Davidson's "American Negro" photographs in context
  • Getting down to the feeling: Bruce Davidson, Roy DeCarava, and the Civil Rights Movement
  • Roy DeCarava, Harlem, and the psychic self
  • Epilogue: Dawoud Bey and the act of reciprocity
  • Notes
  • Bibliography
  • Index.
Description
xi, 236 p. : ill. ; 23 cm.
Notes
Includes bibliographical references (p. 179-224) and index.
Technical Details
  • Access in Virgo Classic
  • Staff View

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    a| Introduction: Self in black and white -- Beyond the "Negro point of view": the Kamoinge Workshop's "Harlem" portfolio -- Bruce Davidson's "American Negro" photographs in context -- Getting down to the feeling: Bruce Davidson, Roy DeCarava, and the Civil Rights Movement -- Roy DeCarava, Harlem, and the psychic self -- Epilogue: Dawoud Bey and the act of reciprocity -- Notes -- Bibliography -- Index.
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    a| Photography x| Social aspects z| United States x| History y| 20th century.
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    a| United States x| Race relations y| 20th century.
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    a| Civil rights movements z| United States x| History y| 20th century.
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