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Music and Marx: Ideas, Practice, Politics

edited by Regula Burckhardt Qureshi
Format
Book
Published
New York : Routledge, 2002.
Language
English
Series
Critical and Cultural Musicology
ISBN
0815337167, 9780815337164
Related Resources
Publisher description
Summary
"Music and Marx represents the first time a distinctly diverse set of Marxist-directed approaches to the study of music can be found in a single volume. Widely varied in their topics, each chapter illuminates from its own vantage point how a Marxist treatment of culture informs - and is informed by - an assessment of musical production and reception.
With ten all new essays by accomplished musicologists, ethnomusicologists, and music theorists, and an erudite introduction by editor Regula Burckhardt Qureshi, the book broaches such subjects as song structure and modernity, the commodification of a hip-hop aesthetic, the revolutionary music of Central America, public concerts in seventeenth- and eigthteenth-century London, Soviet-sponsored music, world music, and the state of music scholarship today."--BOOK JACKET.
Contents
  • Introduction: Thinking music, thinking Marx / Regula Burckhardt Qureshi
  • Part I. Commodification and music scholarship. Music scholarship, musical practice, and the act of listening / David Gramit ; Commodity-form, disavowal, and practices of music theory / Henry Klumpenhouwer
  • Part II. Capitalism and musical poetics. Modernity and musical structure: neo-Marxist perspectives on song form and its successors / Peter Manuel ; Hip-hop sublime as a form of commodification / Adam Krims
  • Part III. Relations of production. Mode of production and musical production: is Hindustani music feudal? / Regula Burckhardt Qureshi ; Capitalization of musical production: the conceptual and spatial development of London's public concerts, 1660-1750 / Anthony A. Olmsted ; Marx, money, and musicians / Martin Stokes
  • Part IV. State and revolutionary marxism. Musicological memoirs on Marxism / Izaly Zemtsovsky ; Making Marxist-Leninist music in Uzbekistan / Theodore Levin ; Central American revolutionary music / Fred Judson.
Description
xxi, 246 p. ; 24 cm.
Notes
Includes bibliographical references and index.
Technical Details
  • Access in Virgo Classic
  • Staff View

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    g| Introduction: t| Thinking music, thinking Marx / r| Regula Burckhardt Qureshi -- g| Part I. Commodification and music scholarship. t| Music scholarship, musical practice, and the act of listening / r| David Gramit ; t| Commodity-form, disavowal, and practices of music theory / r| Henry Klumpenhouwer -- g| Part II. Capitalism and musical poetics. t| Modernity and musical structure: neo-Marxist perspectives on song form and its successors / r| Peter Manuel ; t| Hip-hop sublime as a form of commodification / r| Adam Krims -- g| Part III. Relations of production. t| Mode of production and musical production: is Hindustani music feudal? / r| Regula Burckhardt Qureshi ; t| Capitalization of musical production: the conceptual and spatial development of London's public concerts, 1660-1750 / r| Anthony A. Olmsted ; t| Marx, money, and musicians / r| Martin Stokes -- g| Part IV. State and revolutionary marxism. t| Musicological memoirs on Marxism / r| Izaly Zemtsovsky ; t| Making Marxist-Leninist music in Uzbekistan / r| Theodore Levin ; t| Central American revolutionary music / r| Fred Judson.
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