Item Details

Appropriating Blackness: Performance and the Politics of Authenticity

E. Patrick Johnson
Format
Book
Published
Durham [N.C.] : Duke University Press, 2003.
Language
English
ISBN
0822331543 (alk. paper), 0822331918 (pbk. : alk. paper)
Related Resources
Table of contents
Contents
  • "Blackness" and authenticity : what's performance got to do with it?
  • The pot is brewing : Marlon Riggs' Black is ... Black ain't
  • Manifest faggotry : queering masculinity in African American culture
  • Mother knows best : Blackness and transgressive domestic space
  • "Nevah had uh cross word" : mammy and the trope of Black womanhood
  • Sounds of Blackness down under : the Café of the Gate of Salvation
  • Performance and/as pedagogy : performing Blackness in the classroom.
Description
xiii, 365 p. : ill. ; 24 cm.
Notes
Includes bibliographical references (p. [345]-359) and index.
Technical Details
  • Access in Virgo Classic

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    a| "Blackness" and authenticity : what's performance got to do with it? -- The pot is brewing : Marlon Riggs' Black is ... Black ain't -- Manifest faggotry : queering masculinity in African American culture -- Mother knows best : Blackness and transgressive domestic space -- "Nevah had uh cross word" : mammy and the trope of Black womanhood -- Sounds of Blackness down under : the Café of the Gate of Salvation -- Performance and/as pedagogy : performing Blackness in the classroom.
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    a| African Americans x| Race identity.
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    a| African Americans x| Intellectual life.
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    a| African Americans in popular culture.
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    a| Authenticity (Philosophy) x| Political aspects z| United States.
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    a| Performing arts x| Social aspects z| United States.
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