Item Details

New Directions in Music

David Cope
Format
Book
Published
Prospect Heights, Ill. : Waveland Press, c2001.
Edition
7th ed
Language
English
ISBN
1577661087
Contents
  • Ben Johnston: Art and Survival viii
  • 1 Origins 1
  • An Overview of Tonality 1
  • Expanded Scale Resources 3
  • Extensions of Triadic Harmony 5
  • Musical Hierarchy 9
  • Vectoral Analysis
  • Edgard Varese: Density 21.5 10
  • George Rochberg: No Center 12
  • 2 Atonality and Serialism 17
  • Atonality and Pitch Class 17
  • Sets, Vectors, and Subsets 17
  • Serial Techniques 22
  • Combinatoriality 25
  • Integral Serialism 26
  • Anton von Webern: Symphonie, op. 21 29
  • David Cope and Galen Wilson: An Interview with Pierre Boulez 30
  • 3 Texturalism 33
  • Cluster Techniques 35
  • Rhythmic Developments 39
  • Krzysztof Penderecki: Capriccio for Violin and Orchestra 41
  • David Felder and Mark Schneider: An Interview with Krzysztof Penderecki 43
  • 4 Timbralism and Tuning 49
  • Traditional Instrument Exploration 49
  • New Instruments 59
  • Timbre and Spatial Modulation 64
  • Non-Western Influences 66
  • Microtones and Tuning Systems 68
  • Peter Maxwell Davies: Eight Songs for a Mad King 71
  • Tom Everett: An Interview with Henry Brant 73
  • 5 Indeterminacy 77
  • Improvisation 77
  • Indeterminacy 82
  • Composer Indeterminacy 84
  • Performer Indeterminacy 85
  • Composer and Performer Indeterminacy 88
  • John Cage: Cartridge Music 94
  • David Cope: An Interview with John Cage 96
  • 6 Experimentalism 103
  • Danger Music 105
  • Conceptualism 106
  • Biomusic 109
  • Soundscapes 110
  • Multimedia, Mixed Media, and Intermedia 114
  • Virtual Reality and the Internet 125
  • Pauline Oliveros: Sonic Meditation XIII 125
  • Morton Feldman: Between Categories 127
  • 7 Electroacoustic Music 131
  • Poeme electronique 145
  • Digital Electroacoustic Music 147
  • MIDI 151
  • Jean-Claude Risset: Inharmonic Soundscapes 154
  • Andrew R. Brown: An Interview with Paul Lansky 156
  • 8 Algorithmic Composition 159
  • Expert Systems 162
  • Neural Networks 166
  • Mathematical Sources 167
  • Interactive Composition 167
  • Current Programs 168
  • Iannis Xenakis: Atrees 174
  • John Cage, Lukas Foss, Iannis Xenakis: Short Answers to Difficult Questions 179
  • 9 Minimalism 183
  • Minimalism 183
  • New Tonality 185
  • Philip Glass: Einstein on the Beach 188
  • Andrew R. Brown: An Interview with Steve Reich 190
  • 10 Integration 197
  • Synthesis 198
  • Quotation 201
  • Luciano Berio: Sinfonia 203
  • David Felder: An Interview with Luciano Berio 206
  • Biographical Data 215.
Description
xiii, 259 p. : ill., ports., music ; 28 cm.
Notes
Includes bibliographical references (p. 231-250) and index.
Technical Details
  • Access in Virgo Classic

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    t| Ben Johnston: Art and Survival g| viii -- g| 1 t| Origins g| 1 -- t| An Overview of Tonality g| 1 -- t| Expanded Scale Resources g| 3 -- t| Extensions of Triadic Harmony g| 5 -- t| Musical Hierarchy g| 9 -- t| Vectoral Analysis -- t| Edgard Varese: Density 21.5 g| 10 -- t| George Rochberg: No Center g| 12 -- g| 2 t| Atonality and Serialism g| 17 -- t| Atonality and Pitch Class g| 17 -- t| Sets, Vectors, and Subsets g| 17 -- t| Serial Techniques g| 22 -- t| Combinatoriality g| 25 -- t| Integral Serialism g| 26 -- t| Vectoral Analysis -- t| Anton von Webern: Symphonie, op. 21 g| 29 -- t| David Cope and Galen Wilson: An Interview with Pierre Boulez g| 30 -- g| 3 t| Texturalism g| 33 -- t| Cluster Techniques g| 35 -- t| Rhythmic Developments g| 39 -- t| Vectoral Analysis -- t| Krzysztof Penderecki: Capriccio for Violin and Orchestra g| 41 -- t| David Felder and Mark Schneider: An Interview with Krzysztof Penderecki g| 43 -- g| 4 t| Timbralism and Tuning g| 49 -- t| Traditional Instrument Exploration g| 49 -- t| New Instruments g| 59 -- t| Timbre and Spatial Modulation g| 64 -- t| Non-Western Influences g| 66 -- t| Microtones and Tuning Systems g| 68 -- t| Vectoral Analysis -- t| Peter Maxwell Davies: Eight Songs for a Mad King g| 71 -- t| Tom Everett: An Interview with Henry Brant g| 73 -- g| 5 t| Indeterminacy g| 77 -- t| Improvisation g| 77 -- t| Indeterminacy g| 82 -- t| Composer Indeterminacy g| 84 -- t| Performer Indeterminacy g| 85 -- t| Composer and Performer Indeterminacy g| 88 -- t| Vectoral Analysis -- t| John Cage: Cartridge Music g| 94 -- t| David Cope: An Interview with John Cage g| 96 -- g| 6 t| Experimentalism g| 103 -- t| Danger Music g| 105 -- t| Conceptualism g| 106 -- t| Biomusic g| 109 -- t| Soundscapes g| 110 -- t| Multimedia, Mixed Media, and Intermedia g| 114 -- t| Virtual Reality and the Internet g| 125 -- t| Vectoral Analysis -- t| Pauline Oliveros: Sonic Meditation XIII g| 125 -- t| Morton Feldman: Between Categories g| 127 -- g| 7 t| Electroacoustic Music g| 131 -- t| Poeme electronique g| 145 -- t| Digital Electroacoustic Music g| 147 -- t| MIDI g| 151 -- t| Vectoral Analysis -- t| Jean-Claude Risset: Inharmonic Soundscapes g| 154 -- t| Andrew R. Brown: An Interview with Paul Lansky g| 156 -- g| 8 t| Algorithmic Composition g| 159 -- t| Expert Systems g| 162 -- t| Neural Networks g| 166 -- t| Mathematical Sources g| 167 -- t| Interactive Composition g| 167 -- t| Current Programs g| 168 -- t| Vectoral Analysis -- t| Iannis Xenakis: Atrees g| 174 -- t| John Cage, Lukas Foss, Iannis Xenakis: Short Answers to Difficult Questions g| 179 -- g| 9 t| Minimalism g| 183 -- t| Minimalism g| 183 -- t| New Tonality g| 185 -- t| Vectoral Analysis -- t| Philip Glass: Einstein on the Beach g| 188 -- t| Andrew R. Brown: An Interview with Steve Reich g| 190 -- g| 10 t| Integration g| 197 -- t| Synthesis g| 198 -- t| Quotation g| 201 -- t| Vectoral Analysis -- t| Luciano Berio: Sinfonia g| 203 -- t| David Felder: An Interview with Luciano Berio g| 206 -- t| Biographical Data g| 215.
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