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John Bolton-Wood (Baritone) & Sally Matthews

Kanopy (Firm)
Format
Video; Streaming Video; Online
Summary
John Bolton-Wood  Born, Australia. Music Education: Sydney Conservatorium of Music, London Opera Centre. Winner Green Room Awards, Papageno (The Magic Flute), Colonel Frank (Die Fledermaus), Major-General Stanley (Pirates of Penzance), Lord Mountararat (Iolanthe) OA repertoire: Alcindoro/Benoit (La boheme), Fra Melitone (La forza del destino), Dr Bartolo (The Barber of Seville), Somarone (Beatrice and Benedict), Sacristan (Tosca), Talbot (Maria Stuarda), High Priest in Samson and Delilah, Rigoletto, Riccardo (I puritani), Malatesta (Don Pasquale) Sally Matthews Sally Matthews was the winner of the 1999 Kathleen Ferrier Award. She studied with Cynthia Jolly and Johanna Peters and completed the Opera Course at the Guildhall School of Music and Drama in 2000. She was a member of The Royal Opera Vilar Young Artist programme from 2001 to 2003 and currently studies with Paul Farringdon. In January 2001 she made her Royal Opera House debut as Nannetta Falstaff under Bernard Haitink going on to sing Susanna in Act II of Le Nozze di Figaro in Bernard Haitink's Farewell Gala concerts, Pamina Die Zauberflote with Philippe Jordan and Iris Semele with Sir Charles Mackerras. She has since returned to the Royal Opera house to sing Sifare Mitridate and Anne Truelove Rake's Progress. She made her debuts at the Staatsoper Unter den Linden as Pamina Die Zauberflote and in Munich, singing the title role in Cavalli's La Calisto in a new David Alden production at the Bayerische Staatsoper; with Netherlands Opera singing Fiordiligi in a new production of Cosi fan tutte and in Australia singing the title role in Rusalka for Opera Australia. She recently returned to Munich to sing the title role in Alice in Wonderland, a new commission written by Unsuk Chin for the Bayerische Staatsoper and made her debut in Vienna with Blanche Dialogues des Carmelites at the Theater an der Wien.
Release Date
2011
Language
In English
Notes
  • Title from title frames.
  • In Process Record.
Published
[San Francisco, California, USA] : Kanopy Streaming, 2015.
Recording Info
Originally produced by Exero Films in 2011.
Publisher no.
1084572 Kanopy
Related Resources
Cover Image
Description
1 online resource (streaming video file) : digital, sound, color
Mode of access: World Wide Web.
Technical Details
  • Staff View

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    a| John Bolton-Wood  Born, Australia. Music Education: Sydney Conservatorium of Music, London Opera Centre. Winner Green Room Awards, Papageno (The Magic Flute), Colonel Frank (Die Fledermaus), Major-General Stanley (Pirates of Penzance), Lord Mountararat (Iolanthe) OA repertoire: Alcindoro/Benoit (La boheme), Fra Melitone (La forza del destino), Dr Bartolo (The Barber of Seville), Somarone (Beatrice and Benedict), Sacristan (Tosca), Talbot (Maria Stuarda), High Priest in Samson and Delilah, Rigoletto, Riccardo (I puritani), Malatesta (Don Pasquale) Sally Matthews Sally Matthews was the winner of the 1999 Kathleen Ferrier Award. She studied with Cynthia Jolly and Johanna Peters and completed the Opera Course at the Guildhall School of Music and Drama in 2000. She was a member of The Royal Opera Vilar Young Artist programme from 2001 to 2003 and currently studies with Paul Farringdon. In January 2001 she made her Royal Opera House debut as Nannetta Falstaff under Bernard Haitink going on to sing Susanna in Act II of Le Nozze di Figaro in Bernard Haitink's Farewell Gala concerts, Pamina Die Zauberflote with Philippe Jordan and Iris Semele with Sir Charles Mackerras. She has since returned to the Royal Opera house to sing Sifare Mitridate and Anne Truelove Rake's Progress. She made her debuts at the Staatsoper Unter den Linden as Pamina Die Zauberflote and in Munich, singing the title role in Cavalli's La Calisto in a new David Alden production at the Bayerische Staatsoper; with Netherlands Opera singing Fiordiligi in a new production of Cosi fan tutte and in Australia singing the title role in Rusalka for Opera Australia. She recently returned to Munich to sing the title role in Alice in Wonderland, a new commission written by Unsuk Chin for the Bayerische Staatsoper and made her debut in Vienna with Blanche Dialogues des Carmelites at the Theater an der Wien.
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