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!Kung Short Films Series

John Marshall; Marshall, John; Kanopy (Firm)
Format
Video; Streaming Video; Online
Summary
Between 1950 and 1958, John Marshall made four expeditions to film the Ju/'hoansi (a group of !Kung Bushmen) of the Nyae Nyae region of Namibia (then South West Africa). Marshall and his family, who together undertook an extensive multi-disciplinary study of Ju/'hoansi, spent the greatest amount of time with the people of /Gautcha, including ?Oma, !U, Tsamko, N!ai, and /Gunda. During this time, Marshall shot over 300,000 feet of 16mm film (157 hours). He later produced a total of 23 films exclusively from this footage. 15 of those are short films that Marshall referred to as "sequence films." Each focuses on a single event, providing the viewer a brief introduction followed by an uninterrupted sequence. Although Marshall recorded some sync sound between 1955 and 1958, sync recording in the field was difficult and cumbersome. As a compromise, Marshall made non-sync recordings at the time of filming and later joined this audio to the edited films. Soundtracks were sometimes enhanced with additional ambient sound or sound effects recorded after the fact. This method allowed Marshall a major innovation in ethnographic and documentary film - his subjects could speak for themselves, often accompanied by subtitles. These shorts were intended as educational films, to be viewed multiple times and with the aid of a study guide. The introduction to each film might identify major characters, outline the basic plot, or offer background information about the event to follow, but then viewers are left to experience the film for themselves, to form their own impressions of what is happening and why. Of course, the films have proven to have a life well beyond the classroom. They are intimate portraits of the daily life and ritual life of? Oma and his band during the 1950's. Rich in ethnographic detail, the films' beauty and high emotional content are indicative of the close bond that Marshall had formed with his subjects - a bond that would last all his life. This collection combines many of Marshall's short !Kung films onto two newly remastered/re-authored DVDs, complete with a full-color booklet containing photos, writings, and additional information about the series.
Director
John Marshall
Release Date
2009
Language
English
Notes
Title from title frames.
Published
[San Francisco, California, USA] : Kanopy Streaming, 2014.
Recording Info
Originally produced by Documentary Educational Resources in 2009.
Publisher no.
1068629 Kanopy
Related Resources
Cover Image
Description
1 online resource (1 video file, approximately 161 min.) : digital, .flv file, sound
Mode of access: World Wide Web.
Technical Details
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    a| Between 1950 and 1958, John Marshall made four expeditions to film the Ju/'hoansi (a group of !Kung Bushmen) of the Nyae Nyae region of Namibia (then South West Africa). Marshall and his family, who together undertook an extensive multi-disciplinary study of Ju/'hoansi, spent the greatest amount of time with the people of /Gautcha, including ?Oma, !U, Tsamko, N!ai, and /Gunda. During this time, Marshall shot over 300,000 feet of 16mm film (157 hours). He later produced a total of 23 films exclusively from this footage. 15 of those are short films that Marshall referred to as "sequence films." Each focuses on a single event, providing the viewer a brief introduction followed by an uninterrupted sequence. Although Marshall recorded some sync sound between 1955 and 1958, sync recording in the field was difficult and cumbersome. As a compromise, Marshall made non-sync recordings at the time of filming and later joined this audio to the edited films. Soundtracks were sometimes enhanced with additional ambient sound or sound effects recorded after the fact. This method allowed Marshall a major innovation in ethnographic and documentary film - his subjects could speak for themselves, often accompanied by subtitles. These shorts were intended as educational films, to be viewed multiple times and with the aid of a study guide. The introduction to each film might identify major characters, outline the basic plot, or offer background information about the event to follow, but then viewers are left to experience the film for themselves, to form their own impressions of what is happening and why. Of course, the films have proven to have a life well beyond the classroom. They are intimate portraits of the daily life and ritual life of? Oma and his band during the 1950's. Rich in ethnographic detail, the films' beauty and high emotional content are indicative of the close bond that Marshall had formed with his subjects - a bond that would last all his life. This collection combines many of Marshall's short !Kung films onto two newly remastered/re-authored DVDs, complete with a full-color booklet containing photos, writings, and additional information about the series.
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