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Remembering Forward: Australian Aboriginal Painting Since 1960

Kasper Konig, Editor; Emily Joyce Evans, Editor
Format
Book
Published
Cologne : Museum Ludwig ; London : Paul Holberton Publishing, ©2010.
Language
German
ISBN
1907372148, 9781907372148
Technical Details
  • Staff View

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    a| Remembering forward : b| Australian aboriginal painting since 1960 / c| edited by Kasper König, Emily Joyce Evans, Falk Wolf ; [translations German-English, Steven Lindberg.
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    a| Cologne : b| Museum Ludwig ; a| London : b| Paul Holberton Publishing, c| ©2010.
    300
      
      
    a| 188 pages : b| illustrations (chiefly color), 1 color map ; c| 31 cm
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    a| text b| txt 2| rdacontent
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    a| unmediated b| n 2| rdamedia
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    a| volume b| nc 2| rdacarrier
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    a| Published on the occasion of an exhibition at the Museum Ludwig, Cologne, 20 Nov. 2010-20 Mar. 2011.
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    a| Includes bibliographical references.
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    t| Catalogue: Paddy Bedford ; Emily Kame Kngwarreye ; Queenie McKenzie ; Dorothy Napangardi ; Rover Thomas ; Ronnie Tjampitjinpa ; Clifford Possum Tjapaltjarri ; Tim Leura Tjapaltjarri ; Turkey Tolson Tjupurrula ; Bark paintings / r| Emily Joyce Evans and Falk Wolf -- g| "The t| raw and the cooked": what makes aboriginal art so 'deadly' / r| Judith Ryan -- t| What did paintings want? Pintupi painting at Yayayi in the 1970s / r| Fred Myers -- t| A personal history of aboriginal art / r| Djon Mundine Oam -- t| Bell's theorem: aboriginal art -- it's a white thing / r| Richard Bell -- t| The authenticity of Australian aboriginal painting in the age of globalization / r| Ian McLean.
    520
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    a| Remembering Forward presents works by nine of the most prominent Australian Aboriginal artists: Paddy Bedford, Emily Kame Kngwarreye, Queenie McKenzie, Dorothy Napangardi, Rover Thomas, Ronnie Tjampitjinpa, Clifford Possum Tjapaltjarri, Tim Leura Tjapaltjarri and Turkey Tolson Tjupurrula whose work spans the last forty years of contemporary Australian Indigenous painting in the Central and Western Deserts and the Kimberley region. The works are situated in, and generate, a peculiar tension between traditional and modern and past and present. On the one hand, they usually take as their subject the so called 'Dreamtime' of prehistory from which myths of the earth's and humankind's creation have been handed down. In that regard they are deeply traditional. On the other, these artists have radically changed their medium and method of art-making over the last forty years. Inherited practices of sand- and body-painting have been transformed such that the paintings are executed in acrylic on canvas or other portable media. These changes afforded the artists entry to the global art market. Thus they have adjusted to address an outside public and keep the images free of those parts of the Dreamings that, in their own culture, are reserved for the initiated. Two collections of bark paintings not only present this fascinating medium, but also provide the historical context for exhibitions of Indigenous Australian art in Western art museums.
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    a| Painting, Aboriginal Australian y| 20th century v| Exhibitions.
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    a| Painting, Aboriginal Australian y| 21st century v| Exhibitions.
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    a| Painting, Aboriginal Australian. 2| fast 0| (OCoLC)fst01050639
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    7
    a| 1900-2099 2| fast
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    a| Exhibition catalogs. 2| fast 0| (OCoLC)fst01424028
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    a| König, Kasper.
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    a| Evans, Emily Joyce.
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    a| Wolf, Falk.
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    a| Museum Ludwig.
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    a| Brodart b| BROD n| 12628549 c| $50.00
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    a| Coutts Information Services b| COUT n| 14693927
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    a| Erasmus Boekhandel b| ERAA n| NTS0000121080
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    a| Worldwide Books b| WWBK n| 33819
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    a| YBP Library Services b| YANK n| 100547024
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    a| Blackwell Book Service UK b| BBUK n| 100547024
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Kluge-Ruhe Study Center Study Center Oversized On-site Only
This item is available for use only in the Kluge-Ruhe Study Center, housed within the Kluge-Ruhe Aboriginal Art Collection of the University of Virginia. For information on viewing this item, please visit the Kluge-Ruhe Study Center web page.