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The Makers and Making of Indigneous Australian Museum Collections; The Makers and Making of Indigenous Australian Museum Collections

Nicole Peterson, Editor; Louise Hamby, Editor
Format
Book
Published
Carlton, Vic. : Melbourne University Press, 2008.
Language
English
ISBN
9780522855685, 0522855687, 0522855695, 9780522855692
Contents
  • Part I: Collecting in its Institutional Context
  • Part II: Collecting Under the Influence of Evolutionism
  • Part III: Before its too Late
  • Part IV: Transforming Collections
Keywords
Leonn Satterthwait
Richard Robins
Daniel Leo
Elizabeth Willis
John Mulvaney
Kate Kahn
Janice Lally
Chris Nobbs
Ian Coates
Ross Chadwick
David Kaus
Philip Jones
Louise Hamby
Lindy Allen
Anne Perusco
Sally May
Val Attenbrow
John Stanton
Margie West
Margo Smith
Dr LP Winterbotham
Baldwin Spencer
WE Roth
Henry Hillier
John Tunney
Norman Tindale
Lloyd Warner
Donald Thomson
Ursula McConnel
Charles Pearcy Mountford
FD McCarthy
Helen Wurm
Technical Details
  • Staff View

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    a| The makers and making of indigenous Australian museum collections / c| edited by Nicolas Peterson, Lindy Allen and Louise Hamby.
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    a| Carlton, Vic. : b| Melbourne University Press, c| 2008.
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    a| xvi, 596 pages : b| illustrations, maps, portraits ; c| 21 cm
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    a| Papers originally presented at a symposium held at Museum Victoria in Feb. 2006.
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    a| Includes bibliographical references and index.
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    a| Also available in an electronic version via the Internet at the publisher's home page. Address as of 22.10.2008: http://www.mup.com.au.
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    g| Part I: Collecting in its institutional context: t| collections as artefacts: the making and thinking of anthropological museum collections r| Leonn Satterthwait -- t| Reflections in a cracked mirror: what collections representing "them" can say about "us" and the role of museum collections r| Richard Robins -- t| An ark of Aboriginal relics: the collecting practices of Dr. L.P. Winterbotham r| Daniel Leo -- Part II: Collecting under the influence of evolutionism t| Gentleman collectors: the Port Phillip District, 1835-1855 r| Elizabeth Willis -- t| 'Annexing all I can lay hands on': Baldwin Spencer as ethnographic collector r| John Mulvaney t| The man who collected everything: W.E. Roth r| Kate Kahn -- t| The Australian Aboriginal Collection and the Berlin Ethnological Museum r| Janice Lally -- t| Talking into the wind: collectors on the Cooper Creek, 1890-1910 r| Chris Nobbs -- t| The dynamics of the collector-curator relationship: interpreting Henry Hillier's Central Australian Collections r| Ian Coates -- t| 'Your obedient servant': the John Tunney Collection at the Western Australian Museum r| Ross Chadwick -- t| Professionals and amateurs: different histories of collecting in the National Ethnographic Collection r| David Kaus -- Part III Before it is too late -- t| The 'idea behind the artefact': Norman Tindale's early years as a salvage ethnographer r| Philip Jones -- t| The reluctant collector: Lloyd Warner r| Louise Hamby -- t| Tons and tons of valuable material: the Donald Thomson Collection r| Lindy Allen -- t| Only sticks and bark: Ursula McConnel -- her collecting and collection r| Anne Perusco -- t| The art of collecting: Charles Pearcy Mountford r| Dally May -- t| Ethnographic and archaeological collections by F.D. McCarthy in the Australian Museum r| Val Attenbrow -- Part IV: Transformed collecting -- t| 'I did not set out to make a collection': the Ronald and Catherine Berndt Collections at the Berndt Museum of Anthropology r| John Stanton -- t| 'The woman with men's business': Helen Wurm r| Margie West -- t| Aesthest and scholar: two complementary influences on the Kluge-Ruhe Aboriginal Art collection of the University of Virginia r| Margo Smith.
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Kluge-Ruhe Study Center Study Center On-site Only
This item is available for use only in the Kluge-Ruhe Study Center, housed within the Kluge-Ruhe Aboriginal Art Collection of the University of Virginia. For information on viewing this item, please visit the Kluge-Ruhe Study Center web page.