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Between Indigenous Australia and Europe; Between Indigenous Australia and Europe: John Mawurndjul: John Mawurndjul : Art Histories in Context; Art Histories in Context

Claus Volkenandt, Editor; Christian Kaufmann, Editor
Format
Book
Published
Canberra : Aboriginal Studies Press ; Berlin : Reimer, 2009.
Language
English
ISBN
9780855756666, 0855756667
Contents
  • The local contexts of bark painting
  • Identifying contexts of art
  • Between Europe and Australia: from local to global
  • Tomorrow's museums for today's art
Technical Details
  • Staff View

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    a| Between indigenous Australia and Europe: John Mawurndjul : b| art histories in context / c| Claus Volkenandt, Christian Kaufmann (eds.).
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    a| John Mawurndjul, between indigenous Australia and Europe
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    a| Canberra : b| Aboriginal Studies Press ; a| Berlin : b| Reimer, c| 2009.
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    a| 240 pages : b| illustrations (some color), maps ; c| 24 cm
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    a| text b| txt 2| rdacontent
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    a| unmediated b| n 2| rdamedia
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    a| volume b| nc 2| rdacarrier
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    a| Includes bibliographical references and index.
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    a| Pt.1. Local contexts of bark painting -- Painted energy: John Mawurndjul and the negotiation of asthetics in Kuninjku bark painting -- Arts adviser perspective on producing art for Balanda -- Brokering Kuninjku art: critical perspective on the complex processes of mediating with the market -- Rarrk on bark: John Mawurndjul's medium of power and beauty -- Pt.2. Identifying contexts of art discourse across cultures: the Yolngu and Kunwijku compared -- Why we need an intercultural art history -- Intercultural perspective as context: beyond othering and appropriation? Case of John Mawurndijul -- Dilemmata of otherness -- Pt.3. Between Europe and Australia: from local to global -- From bark to art: Karel Kupka between Arnhem Land and Basel -- Translating the spectacle: John Mawurndhul's intercultural aesthetic -- Art of the aborigines between new-age mysticism and politics -- What is local about local art? Contemporary African artists between international art world and local life-world -- P.4. Tomorrow's museums for today's art -- 30,000 years of Australian art -- a neuropsychological approach -- Rendering visible -- new practices for old institutions -- Recognising indegenous Australians: new context for art.
    520
      
      
    a| Increasingly, Australian Indigenous art is drawing the attention of international audiences, in part because of the amazing stories the artists tell of human creativity. John Mawurndjul is an Aboriginal artist whose work is collected and displayed in art museums and galleries throughout the world. The authors here debate questions such as how art should be viewed and approached in intercultural terms.
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    a| Mawurndjul, John, d| 1952?-
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    a| Artists, Aboriginal Australian z| Australia, Northern.
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    a| Art, Aboriginal Australian z| Australia, Northern.
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    a| Art, Aboriginal Australian z| Europe.
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    a| Culture and globalization.
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    a| Art and globalization.
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    a| Mawurndjul, John, d| 1952?- 2| fast 0| (OCoLC)fst01643860
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    a| Mawurndjul, John. 2| swd
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    a| Kunst. 2| swd
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    a| Aborigines. 2| swd
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    a| Australien. 2| swd
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    a| Europa. 2| swd
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    a| Volkenandt, Claus.
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    a| Kaufmann, Christian.
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    a| Baker and Taylor b| BTCP n| BK0008465447
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    a| Otto Harrassowitz b| HARR n| har080002167
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Kluge-Ruhe Study Center Study Center On-site Only
This item is available for use only in the Kluge-Ruhe Study Center, housed within the Kluge-Ruhe Aboriginal Art Collection of the University of Virginia. For information on viewing this item, please visit the Kluge-Ruhe Study Center web page.