Item Details

Print View

The Oxford Handbook of Critical Improvisation Studies

edited by George E. Lewis and Benjamin Piekut
Format
Book
Published
New York, N.Y. ; Oxford, U.K. : Oxford University Press, [2016].
Language
English
Variant Title
Critical improvisation studies
Series
Oxford Handbooks
ISBN
9780195370935, 0195370937, 9780199892921, 019989292X
Contents
  • V. 1. Introduction: On critical improvisation studies / George E. Lewis and Benjamin Piekut
  • Part I. Cognitions. Cognitive processes in musical improvisation / Roger T. Dean and Freya Bailes
  • Cognitive neuroscience of improvisation / Aaron L. Berkowitz
  • Improvisation, action understanding, and music cognition with and without bodies / Vijay Iyer
  • Ghost in the music, or the perspective of an improvising ant / David Borgo
  • Part II Critical theories. Improvisative / Tracy McMullen
  • Jurisgenerative grammar (for alto) / Fred Moten
  • Is improvisation present? / Michael Gallope
  • Politics as hypergestural improvisation in the age of mediocracy / Yves Citton
  • On the edge: a frame of analysis for improvisation / Davide Sparti
  • Salmon of Wisdom: on the consciousness of self and other in improvised music and in the language that sets one free / Alexandre Pierrepont
  • Improvising yoga / Susan Leigh Foster
  • Part III. Cultural histories. Michel de Montaigne, or philosophy as improvisation / Timothy Hampton
  • Improvisation of poetry, 1750-1850: oral performance, print culture, and the modern Homer / Angela Esterhammer
  • Germaine de Staèel's Corinne, or Italy and the early usage of improvisation in English / Erik Simpson
  • Improvisation, time, and opportunity in the rhetorical tradition / Glyn P. Norton
  • Improvisation, democracy, and feedback / Daniel Belgrad
  • Part IV. Mobilities. Improvised dance in the reconstruction of THEM / Danielle Goldman
  • Improvising social exchange: African American social dance / Thomas F. DeFrantz
  • Fixing improvisation: copyright and African American vernacular dancers in the early twentieth century / Anthea Kraut
  • Performing gender, race, and power in improv comedy / Amy Seham
  • Shifting cultivation as improvisation / Paul Richards
  • Part V. Organizations. Improvisation in management / Paul Ingram and William Duggan
  • Free improvisation as a path-dependent process / Jared Burrows and Clyde G. Reed
  • Part VI. Philosophies. Musical improvisation and the philosophy of music / Philip Alperson
  • Improvisation and time-consciousness / Gary Peters
  • Improvising Impromptu, or, What to do with a broken string / Lydia Goehr
  • Ensemble improvisation, collective intention, and group attention / Garry L. Hagberg
  • Interspecies improvisation / David Rothenberg
  • Spiritual exercises, improvisation, and moral perfectionism: with special reference to Sonny Rollins / Arnold I. Davidson
  • Improvisation and ecclesial ethics / Samuel Wells
  • V. 2. Introduction: On critical improvisation studies / George E. Lewis and Benjamin Piekut
  • Part I. Cities. Improvisation technology as mode of redesigning the urban / Christopher Dell and Ton Matton
  • Lots will vary in the available city / David P. Brown
  • Improvising the future in post-Katrina New Orleans / Eric Porter
  • Part II. Creativities. Billy Connolly, Daniel Barenboim, Willie Wonka, jazz bastards, and the universality of improvisation / Raymond MacDonald and Graeme Wilson
  • A computationally motivated approach to cognition studies in improvisation / Brian Magerko
  • A consciousness-based look at spontaneous creativity / Ed Sarath
  • In the beginning, there was improvisation / Bruce Ellis Benson
  • Part III. Musics. Landmarks in the study of improvisation: perspectives from ethnomusicology / Bruno Nettl
  • Saving improvisation: Hummel and the free fantasia in the early nineteenth century / Dana Gooley
  • Negotiating freedom and control in composition: improvisation and its offshoots, 1950-1980 Sabine Feisst
  • Musical improvisation: play, efficacy, and significance / A.J. Racy
  • Improvisation in freestyle rap / Ellie M. Hisama
  • Speaking of the I-word / Leo Treitler
  • Part IV. $t Writings. Modernist improvisations / Rob Wallace
  • Diversity and divergence in the improvisational evolution of literary genres / Jennifer D. Ryan
  • Improvisatory practices and the dawn of the new American cinema / Sara Villa
  • Brilliant corners: improvisation and practices of freedom in Sent for you yesterday / Walton Muyumba
  • Improvisation in contemporary experimental poetry Hazel Smith
  • Part V. Media. Subjective computing and improvisation / D. Fox Harrell
  • Improvisation and interaction, canons and rules, emergence and play / Simon Penny
  • Imposture as improvisation: living fiction / Antoinette LaFarge
  • Role-play, improvisation, and emergent authorship / Celia Pearce
  • Bodies, border, technology: the promise and perils of telematic improvisation / Adriene Jenik
  • She stuttered: mapping the spontaneous middle / Sher Doruff
  • Part VI. Technologies. Live algorithms for music: can computers be improvisers? / Michael Young and Tom Blackwell
  • Improvisation of the masses: anytime, anywhere mobile music / Ge Wang.
Description
2 volumes : illustrations ; 26 cm.
Notes
Includes bibliographical references and index.
Technical Details
  • Access in Virgo Classic
  • Staff View

    LEADER 07077cam a2200577 i 4500
    001 u7269495
    003 SIRSI
    005 20171027154328.0
    008 151019s2016 nyua b 001 0 eng
    010
      
      
    a| 2015041014
    027
      
      
    a| (Coutts)033185307
    020
      
      
    a| 9780195370935 q| (hardcover ;) q| (volume 1 ;) q| (alkaline paper)
    020
      
      
    a| 0195370937
    020
      
      
    a| 9780199892921 q| (hardcover ;) q| (volume 2 ;) q| (alkaline paper)
    020
      
      
    a| 019989292X
    035
      
      
    a| (OCoLC)928750684
    042
      
      
    a| pcc
    040
      
      
    a| DLC b| eng e| rda c| DLC d| YDX d| OCLCF d| YDXCP d| BTCTA d| CIA d| BDX d| OSU d| IUL d| CHVBK d| ZWZ d| OCLCO d| UEJ
    050
    0
    0
    a| MT68 b| .O97 2016
    082
    0
    0
    a| 001 2| 23
    245
    0
    4
    a| The Oxford handbook of critical improvisation studies / c| edited by George E. Lewis and Benjamin Piekut.
    246
    3
    0
    a| Critical improvisation studies
    264
      
    1
    a| New York, N.Y. ; a| Oxford, U.K. : b| Oxford University Press, c| [2016].
    264
      
    4
    c| ©2016
    300
      
      
    a| 2 volumes : b| illustrations ; c| 26 cm.
    336
      
      
    a| text b| txt 2| rdacontent
    337
      
      
    a| unmediated b| n 2| rdamedia
    338
      
      
    a| volume b| nc 2| rdacarrier
    490
    1
      
    a| Oxford handbooks
    504
      
      
    a| Includes bibliographical references and index.
    505
    0
      
    a| V. 1. Introduction: t| On critical improvisation studies / r| George E. Lewis and Benjamin Piekut -- g| Part I. t| Cognitions. t| Cognitive processes in musical improvisation / r| Roger T. Dean and Freya Bailes -- t| Cognitive neuroscience of improvisation / r| Aaron L. Berkowitz -- t| Improvisation, action understanding, and music cognition with and without bodies / r| Vijay Iyer -- t| Ghost in the music, or the perspective of an improvising ant / r| David Borgo -- g| Part II t| Critical theories. t| Improvisative / r| Tracy McMullen -- t| Jurisgenerative grammar (for alto) / r| Fred Moten -- t| Is improvisation present? / r| Michael Gallope -- t| Politics as hypergestural improvisation in the age of mediocracy / r| Yves Citton -- t| On the edge: a frame of analysis for improvisation / r| Davide Sparti -- t| Salmon of Wisdom: on the consciousness of self and other in improvised music and in the language that sets one free / r| Alexandre Pierrepont -- t| Improvising yoga / r| Susan Leigh Foster -- g| Part III. t| Cultural histories. t| Michel de Montaigne, or philosophy as improvisation / r| Timothy Hampton -- t| Improvisation of poetry, 1750-1850: oral performance, print culture, and the modern Homer / r| Angela Esterhammer -- t| Germaine de Staèel's Corinne, or Italy and the early usage of improvisation in English / r| Erik Simpson -- t| Improvisation, time, and opportunity in the rhetorical tradition / r| Glyn P. Norton -- t| Improvisation, democracy, and feedback / r| Daniel Belgrad -- g| Part IV. t| Mobilities. t| Improvised dance in the reconstruction of THEM / r| Danielle Goldman -- t| Improvising social exchange: African American social dance / r| Thomas F. DeFrantz -- t| Fixing improvisation: copyright and African American vernacular dancers in the early twentieth century / r| Anthea Kraut -- t| Performing gender, race, and power in improv comedy / r| Amy Seham -- t| Shifting cultivation as improvisation / r| Paul Richards -- g| Part V. t| Organizations. t| Improvisation in management / r| Paul Ingram and William Duggan -- t| Free improvisation as a path-dependent process / r| Jared Burrows and Clyde G. Reed -- g| Part VI. t| Philosophies. t| Musical improvisation and the philosophy of music / r| Philip Alperson -- t| Improvisation and time-consciousness / r| Gary Peters -- t| Improvising Impromptu, or, What to do with a broken string / r| Lydia Goehr -- t| Ensemble improvisation, collective intention, and group attention / r| Garry L. Hagberg -- t| Interspecies improvisation / r| David Rothenberg -- t| Spiritual exercises, improvisation, and moral perfectionism: with special reference to Sonny Rollins / r| Arnold I. Davidson -- t| Improvisation and ecclesial ethics / r| Samuel Wells
    505
    0
      
    a| V. 2. g| Introduction: t| On critical improvisation studies / r| George E. Lewis and Benjamin Piekut -- g| Part I. t| Cities. t| Improvisation technology as mode of redesigning the urban / r| Christopher Dell and Ton Matton -- t| Lots will vary in the available city / r| David P. Brown -- t| Improvising the future in post-Katrina New Orleans / r| Eric Porter -- g| Part II. t| Creativities. t| Billy Connolly, Daniel Barenboim, Willie Wonka, jazz bastards, and the universality of improvisation / r| Raymond MacDonald and Graeme Wilson -- t| A computationally motivated approach to cognition studies in improvisation / r| Brian Magerko -- t| A consciousness-based look at spontaneous creativity / r| Ed Sarath -- t| In the beginning, there was improvisation / r| Bruce Ellis Benson -- g| Part III. t| Musics. t| Landmarks in the study of improvisation: perspectives from ethnomusicology / r| Bruno Nettl -- t| Saving improvisation: Hummel and the free fantasia in the early nineteenth century / r| Dana Gooley -- t| Negotiating freedom and control in composition: improvisation and its offshoots, 1950-1980 r| Sabine Feisst -- t| Musical improvisation: play, efficacy, and significance / r| A.J. Racy -- t| Improvisation in freestyle rap / r| Ellie M. Hisama -- t| Speaking of the I-word / r| Leo Treitler -- g| Part IV. $t Writings. t| Modernist improvisations / r| Rob Wallace -- t| Diversity and divergence in the improvisational evolution of literary genres / r| Jennifer D. Ryan -- t| Improvisatory practices and the dawn of the new American cinema / r| Sara Villa -- t| Brilliant corners: improvisation and practices of freedom in Sent for you yesterday / r| Walton Muyumba -- t| Improvisation in contemporary experimental poetry r| Hazel Smith -- g| Part V. t| Media. t| Subjective computing and improvisation / r| D. Fox Harrell -- t| Improvisation and interaction, canons and rules, emergence and play / r| Simon Penny -- t| Imposture as improvisation: living fiction / r| Antoinette LaFarge -- t| Role-play, improvisation, and emergent authorship / r| Celia Pearce -- t| Bodies, border, technology: the promise and perils of telematic improvisation / r| Adriene Jenik -- t| She stuttered: mapping the spontaneous middle / r| Sher Doruff -- g| Part VI. t| Technologies. t| Live algorithms for music: can computers be improvisers? / r| Michael Young and Tom Blackwell -- t| Improvisation of the masses: anytime, anywhere mobile music / r| Ge Wang.
    650
      
    0
    a| Improvisation (Music)
    650
      
    0
    a| Creation (Literary, artistic, etc.)
    650
      
    7
    a| Creation (Literary, artistic, etc.) 2| fast 0| (OCoLC)fst00882393
    650
      
    7
    a| Improvisation (Music) 2| fast 0| (OCoLC)fst00968306
    650
      
    7
    a| Improvisation. 2| gnd
    650
      
    7
    a| Musik. 2| gnd
    650
      
    7
    a| Improvisation (musique). 2| ram
    650
      
    7
    a| Création. 2| ram
    700
    1
      
    a| Lewis, George, d| 1952- e| editor.
    700
    1
      
    a| Piekut, Benjamin, d| 1975- e| editor.
    776
    0
    8
    i| Online version: t| Oxford handbook of critical improvisation studies d| New York : Oxford University Press, 2016 z| 9780199707935 w| (DLC) 2015044217
    830
      
    0
    a| Oxford handbooks.
    994
      
      
    a| Z0 b| VA@
    596
      
      
    a| 12
    852
      
      
    b| MUSIC c| STACKS
    866
      
    0
    8| 1 a| v.1-2
    999
      
      
    a| MT68 .O97 2016 v.1 w| MONO-SER i| X031847449 k| CIRC-HOLD l| STACKS m| MUSIC t| BOOK
    999
      
      
    a| MT68 .O97 2016 v.2 w| MONO-SER i| X031789456 l| STACKS m| MUSIC t| BOOK
▾See more
▴See less

Availability

Google Preview

Google Books Preview

Music

Stacks
v.1-2
Library Location Map Availability Call Number
Music Item in transit N/A Unavailable
Music Stacks N/A Available