Item Details

The Tragic Novel : Heroism and the Politics of Modernity

Moses, Michael Valdez
Format
Thesis/Dissertation; Online
Author
Moses, Michael Valdez
Advisor
Langbaum, Robert
Sokel, Walter H
Abstract
While many critics have analyzed individual novels as tragic, my dissertation provides the first theoretical consideration of the tragic novel as a genre. Drawing upon such theorists as Hegel, Lukacs, Adorno, and Bakhtin, I analyze how the conception of tragedy has been transformed, broadened, and at times distorted as it moved from the drama to the novel and from aristocratic to bourgeois settings. As Don Quixote shows, the novel began as a comic form. Cervantes recognized that the historical and political conditions which had in the past provided the basis for the epic stature of the aristocratic hero were giving way to the prosaic realities. of the modern world. Novelists in the eighteenth century had even greater difficulty finding heroic subject matter. Those who attempted to write tragic novels, such as Richardson and Goethe, were forced to redefine tragedy so that it lost its political or public dimension and became a domestic or private phenomenon. This strain of domestic tragedy was developed further in the nineteenth century by writers such as George Eliot, but Stendhal inaugurated a new tradition in the novel which instead of redefining tragedy in subjective terms sought to recapture the objective basis of traditional tragedy. Concentrating on The Red and the Black, Hardy's The Mayor of Casterbridge, Conrad's Lord Jim, and Mann's Doctor Faustus, my dissertation studies the revival of the political dimension of traditional tragedy in the modern novel. Note: Abstract extracted from PDF file via OCR.
Language
English
Date Received
20180913
Published
University of Virginia, Department of English, PHD (Doctor of Philosophy), 1987
Published Date
1987
Degree
PHD (Doctor of Philosophy)
Collection
Libra ETD Repository
Logo for In CopyrightIn Copyright

Availability

Read Online